PROJECTION EQUIPMENT AND SPEAKERS INSTALLED IN ALL CLASSROOMS AND LABS
READER ARTICLE IN THE DIGITAL GARAGE WINDOW
ARTWORK INSTALLATION BEGINS
DIGITAL GARAGE READY FOR MONITORS AND NEW FLOOR COVERING
SERVER ROOMS OUTFITTED WITH POWER
HINDSIGHT - WRITE SOMETHING WORTH READING ABOUT OR DO SOMETHING WORTH WRITING ABOUT
Sunday, September 09, 2007
Flashpoint Academy Construction Update - 9-8-07
FURNITURE DELIVERIES BEGAN THROUGHOUT THE NEW SPACE
PROJECTION EQUIPMENT AND SPEAKERS INSTALLED IN ALL CLASSROOMS AND LABS
READER ARTICLE IN THE DIGITAL GARAGE WINDOW
ARTWORK INSTALLATION BEGINS
DIGITAL GARAGE READY FOR MONITORS AND NEW FLOOR COVERING
SERVER ROOMS OUTFITTED WITH POWER
PROJECTION EQUIPMENT AND SPEAKERS INSTALLED IN ALL CLASSROOMS AND LABS
READER ARTICLE IN THE DIGITAL GARAGE WINDOW
ARTWORK INSTALLATION BEGINS
DIGITAL GARAGE READY FOR MONITORS AND NEW FLOOR COVERING
SERVER ROOMS OUTFITTED WITH POWER
Collection Artist Caleb Weintraub has Exciting New Show "We Must Go and Tell the King" at Peter Miller Gallery in Chicago
A COUPLE OF IMAGES FROM THE SHOW
Here is a world of fetishized violence, of absurdist melodrama, where avenging infants swoop down and inflict justice on the weakened structures and systems of corrupted adults. The children in Caleb Weintraub's paintings are powerful beings, enraged and violent at times, solemn and thoughtful at others. They are children from the past, the future, the present.
Caleb Weintraub writes: "These are windows into a reality where children lost to disease, to ideologies, to battles and brutalities celebrate and survive. Here are the kinderopfer, the infant conversos, the victims of Babylonia, and a hundred thousand pogroms. These are the ghosts of my people- or the ghosts of yours. They stand for a hope in some kind of cosmic accountability, in an innate arithmetical hunch that tells us that when things don’t add up before our eyes, they add up somewhere else."
This is his first one person show at the Peter Miller Gallery.
CALEB AT THE LOFT with "PARTY FAVORS"
Here is a world of fetishized violence, of absurdist melodrama, where avenging infants swoop down and inflict justice on the weakened structures and systems of corrupted adults. The children in Caleb Weintraub's paintings are powerful beings, enraged and violent at times, solemn and thoughtful at others. They are children from the past, the future, the present.
Caleb Weintraub writes: "These are windows into a reality where children lost to disease, to ideologies, to battles and brutalities celebrate and survive. Here are the kinderopfer, the infant conversos, the victims of Babylonia, and a hundred thousand pogroms. These are the ghosts of my people- or the ghosts of yours. They stand for a hope in some kind of cosmic accountability, in an innate arithmetical hunch that tells us that when things don’t add up before our eyes, they add up somewhere else."
This is his first one person show at the Peter Miller Gallery.
CALEB AT THE LOFT with "PARTY FAVORS"
Friday, September 07, 2007
New Art from Sarah Bain Gallery
JENNIFER PRESANT
STEPHEN CEFALO
ANGELA CUNNINGHAM
PAUL DAVIES
PAUL DAVIES
MAGGIE TOOLE
Artist's Statement
The human form is fascinating to me. The flowing shapes that bend or stretch or fold or change simply because of a person's mood. Forms that may follow the same blueprint, but are not quite the same on any two people. I love catching the subtle differences in every different person's look...or in the same person for that matter...because they just woke up or because they are under water or because they are sad, or maybe they are thinking of something very wonderful. Each of those things changes them, and I can never tire of a subject matter that is so constantly fluid.
Creating the technique I call Circulism, as a derivative of Pointillism, was my way of incorporating a painting style that I loved with one of my favorite tools, the pencil. What happened next came more natural than anything before it, and from the first piece I drew, there was a magic about it. Using colored pencils, I draw no lines at all...only varied, unending, overlapped and intertwined circles. Building seemingly transparent layers, incorporating all color. As in pointillism, the distant viewer's eye fuses these into realistic shades of human flesh, hair and life.
STEPHEN CEFALO
ANGELA CUNNINGHAM
PAUL DAVIES
PAUL DAVIES
MAGGIE TOOLE
Artist's Statement
The human form is fascinating to me. The flowing shapes that bend or stretch or fold or change simply because of a person's mood. Forms that may follow the same blueprint, but are not quite the same on any two people. I love catching the subtle differences in every different person's look...or in the same person for that matter...because they just woke up or because they are under water or because they are sad, or maybe they are thinking of something very wonderful. Each of those things changes them, and I can never tire of a subject matter that is so constantly fluid.
Creating the technique I call Circulism, as a derivative of Pointillism, was my way of incorporating a painting style that I loved with one of my favorite tools, the pencil. What happened next came more natural than anything before it, and from the first piece I drew, there was a magic about it. Using colored pencils, I draw no lines at all...only varied, unending, overlapped and intertwined circles. Building seemingly transparent layers, incorporating all color. As in pointillism, the distant viewer's eye fuses these into realistic shades of human flesh, hair and life.
PAWS ADOPTION CENTER OPENS ON CLYBOURN including the TULLMAN CANINE CAFE
THE TULLMAN CANINE CAFE
ANGIE'S LIVING ROOM
PIPPEN FASEAS
ROOFTOP GARDEN SPOT BY MARIA SMITHBURG
REMARKS BY SUSIE AND PAULA
GUESTS OF HONOR ARRIVE LEAD BY BOWSER
CENTER LAYOUT AND RESERVED ROOMS
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