Trump’s photo with his loyalists was a vulgar mess.
And Ivanka brought a handbag.
President Donald Trump poses in
front of St. John's Episcopal Church across from the White House with Attorney
General William P. Barr, left, national security adviser Robert O'Brien and
White House press secretary Kayleigh McEnany. (Tom Brenner/Reuters)
By
Fashion critic
June 2, 2020 at 4:24 p.m. CDT
The
president could have opened the Bible. He could have read Psalm 23. The
Lord is my shepherd. Federal law enforcement had just fired tear gas
at peaceful demonstrators, pelted them with rubber bullets and chased them away
on horseback.
Trump
now had the secured space to stand in front of cameras in front of a historic
church. And he couldn’t even be bothered to crack the spine on the holy book.
Instead,
he corralled members of his staff for a photograph that, in its nightmarish
awkwardness, revealed all the ineptitude, cowardliness and pettiness for which
the whole charade was a grotesque cover.
After a
law-and-order speech in the White House Rose Garden, President Trump strode
across Lafayette Square to the unassuming facade of St. John’s Episcopal Church.
He didn’t go inside. Instead, the structure loomed behind him — a lemon-yellow,
three-dimensional set for his tortured stage play.
The
president was accompanied by a throng of staff, but the person who stood out in
the blur of dark suits crossing the square was his daughter and adviser Ivanka.
Always Ivanka.
She stood tall on her stilettos. She rose, golden-haired, above the group. She was dressed in black cropped pants and blazer. She was toting a very large white handbag and later was wearing a matching face mask with tiny metallic stars.
She stood tall on her stilettos. She rose, golden-haired, above the group. She was dressed in black cropped pants and blazer. She was toting a very large white handbag and later was wearing a matching face mask with tiny metallic stars.
Ivanka Trump and her handbag. (Chip
Somodevilla/Getty Images)
Ivanka
long ago perfected the art of playing the part, of moving through life like an
Instagram feed made real. Over the weekend, she’d tweeted a Bible verse. That
was followed by an acknowledgment of Pride Month with a rainbow line of heart
emoji. And now she was in the park just violently cleared of peaceful
protesters. She was surrounded by police in riot gear. The chairman of the
Joint Chiefs of Staff, Mark A. Milley, was in camouflage.
If
other members of the administration were trudging across the plaza to a kind of
doomed publicity stunt, Ivanka looked as though she were just gliding through —
on her way home after a busy day in a comfortable corner office doing important
things. As one of the few women in the group, she already stood apart. Her mask
made her a laudable loner.
The handbag clasped in her right hand
announced that she was not sticking around. She was there, but not committed —
not to empathy, not to the militaristic display of strength, not to this
gamesmanship, not to the horrors of this national stress test, not to anything
but the Ivanka-ness of her public image, which is always about being
power-adjacent.
Ivanka
doggedly inserts herself into the center of photographs and conversations where
she does not seem to belong, but this time she remained on the sidelines when
the posing started.
Attorney
General William P. Barr, national security adviser Robert O’Brien and White
House spokeswoman Kayleigh McEnany were among those pulled center stage with
Trump. Barr stared slack-jawed in an open-collar shirt, no tie. His jacket was
open. O’Brien was buttoned up in a gray suit with a pale blue tie that was a
shade lighter than the president’s, which trailed below his waistband as usual.
McEnany was in a closefitting double-breasted blazer with gold metallic buttons
and skinny trousers. She was perched atop a pair of stiletto pumps — a style of
footwear that this White House, all on its own, may be keeping in circulation.
Having duly posed, the president
left the scene. (Patrick Semansky/AP)
None of
them was wearing a mask, because that would remind everyone that the world is
still facing a pandemic, and besides, the masks would ruin the picture.
Everyone stood apart, but not six feet apart. They didn’t lower their head in
prayer or silent tribute to George Floyd — the man whose death after nearly
nine minutes under the knee of a white Minneapolis police officer sparked this
uprising. Their arms dangled at their side. No one seemed to know where to look
or what to do or how long to stand there.
In some
of the photographs, one can see Chief of Staff Mark Meadows, as well as Defense
Secretary Mark T. Esper. They don’t elevate the images; they only make them
more desperate — just two more faces looking blankly into the distance.
The
photographs in front of St. John’s captured the president’s fundamental
discomfort with what it means to exist out in the open where people do not
soothe him with flattery, where brute force is an accelerant, not an answer, and
where imperfect lives spill outside their borders. Trump worked so hard for his
flaccid, sanitized photograph: a man standing with nothing but white
bureaucrats — most of them men — on the plaza in front of a neatly boarded-up
house of worship. Trump isn’t even really at the church; he’s in its vicinity.
At one
point, standing alone, he’s holding the Bible not like it’s a source of
enduring comfort but like it’s a soiled diaper.
The anger and pain is everywhere,
even if the president chooses not to look. (Patrick Semansky/AP)
The
choreographed group picture captures none of the agonizing emotion of this
moment. But it was out there, in the wild, and Trump had to pass by it. The
pain was scrawled in jagged, vulgar graffiti on the walls abutting his path, on
walls that couldn’t be scrubbed clean for his benefit.
The
picture he orchestrated shows no hint of a commander in chief rising above or
binding up anything. The photograph doesn’t convey power or competence. From
every angle, in every iteration, it’s an image of a whitewashed group turning a
deaf ear to a country convulsing over racial injustice.
Before
Trump crossed the street, he announced with great fanfare to the American
people that he was going to “pay my respects to a very, very special place,”
one that was damaged in a fire
Sunday. But it wasn’t a building that was calling
out for care.