Lora Fosberg @ Linda Warren
Communication:
There are times when the clarity and simplicity of an artist’s message, amplified by the means of delivery,overwhelm and even stupify the viewer.
In the past, Barbara Kruger’s bold font has seemed to shout at me;
Jenny Holzer’s animation and projections have quite literally circled menacingly, and towered ominously above me.[5]
I’ve been told that this confrontational mode of delivery was carefully chosen for the purpose of forcing certain issues into the public consciousness.
But, fighting — and the work of Kruger and Holzer alluded to above is combative — with the weapons and armor of the enemy, they, at times, appear to belong to his camp…to be propagandists.
Exposed to loud noise, I cover my ears; in the presence of a bright light, I shield my eyes. But when someone whispers, I draw near and listen.
And seeing something delicate and small, I’m inclined to study it with care.
And so it is at 1052 W. Fulton Market: I find myself drawn into Lora Fosberg’s text-ladden pieces at Linda Warren Gallery.
And I attribute my reaction to her subtle treatment of the material.
Admittedly, I’ve tended to recoil when confronted by large amounts of text in what is nominally visual art. But Fosberg’s words and phrases are well-integrated with the purely aesthetic elements of her design.
Fosberg shows a deft hand when practicing the craft of draftsmanship.
Clean, sure strokes of brush and pen define figures with what appears to be little effort.
I’m caught unaware by the content, having been more-or-less lulled into a receptive state by the combined effect of the subtle tones of her palette, the easy grace of her execution, and the modest scale of the pieces on display.
Fosberg’s made visible dialogues, dialogues that, in her own words,
“suggest the familiar while maintaining ambiguity.”
As in Schneider’s show, here there are figures active in a landscape.
But Fosberg’s models aren’t literal representations of herself;
and they aren’t looking out of the frame at me — seeking my attention and approval.
No, the subjects of Fosberg’s ink and gouache caricatures are busily about their given work.
