Showing posts with label STEVE JOBS. Show all posts
Showing posts with label STEVE JOBS. Show all posts

Tuesday, November 14, 2023

NEW INC. MAGAZINE COLUMN FROM HOWARD TULLMAN

                 TikTok Now Tops Twitter in Adult News


TikTok Has Tons of Lessons to Teach Entrepreneurs

The wildly popular app may be a target of a China-wary Congress. But what it has accomplished is something that we can't ignore. 

 

BY HOWARD TULLMAN, GENERAL MANAGING PARTNER, G2T3V AND CHICAGO HIGH TECH INVESTORS @HOWARDTULLMAN1

 

Leaving aside all the crazy MAGA conversations about whether TikTok is really another subversive scheme by the Chinese Communist Party (along with Covid-19 and Fentanyl) designed to poison the minds of young Americans, the fact is that there's an enormous amount that entrepreneurs and business builders can learn from the popular app.  How is it that, rapidly and remarkably, TikTok has taken over online entertainment media, peer-to-peer education, celebrity commerce, news, and even everyday political conversations?

TikTok has become the short-form, algo-driven, sugary sweet, bite-sized attention grabber that is here to stay whatever you hear or think about the Chinese boogeyman. And it's about a lot more than video recipes for baking drug-laced brownies, fixing your fantasy face, or parkour pranks and bungee jumps. TikTok is a powerful and valuable resource that is changing the daily behavior of tens of millions of people worldwide -- an emancipating revelation for young and old listeners and learners as well as a lightning-fast tool for distributing and democratizing news, content, and commerce. More than a third of the users say that TikTok is where they get their daily dose of news and, overall, they open the app on average eight times a day.

The core and critical TT lessons are less about the content (so much of which is admittedly useless crap) and far more about how TikTok emerged, quickly and continually morphed, and set about eating the lunch of the traditional entertainment and media in what I would call a textbook case of Clay Christensen's vision of disruptive innovation.  Except today it happens in triple time. Quick and dirty, simple to use, bottoms up entry, ignored and ridiculed by the big guys for too long, constant iteration based on user feedback and very smart technology. And then, all at once, TikTok is sitting on top of the heap. Creators and visitors today are on the app more than 95 minutes a day on average and about 26 hours a month. 00:00

01:53

 

Yet the TikTok takeover wasn't exactly an overnight success or even much of a surprise to the folks who were watching and living through the process. Anyone who thinks that the TikTok creators are just a bunch of kids rather than the next generation of entrepreneurs simply isn't paying attention --- attention being the critical currency of today and tomorrow. The TikTokers have absolutely mastered the triple talents of grabbing attention, leveraging virality and engineering authentic engagement. Half a dozen of the TT leaders each have more than 50 million engaged and active followers who are willing to share and spread the gospel daily.

Maybe what spooks the politicians is that TikTok is just getting started in building its economic engine. Already, more than five million U.S. businesses actively use TikTok, including Inc.  Sponsors, brands, and advertisers are welcome, and TikTok is building out management and agency support as well as a marketplace for creators to assist in the process of matching the proper parties with the best messengers. TikTok will be the lead sponsor of the 2024 Met Gala. (See https://newsroom.tiktok.com/en-us/tiktok-goes-to-the-met .)  Creators will soon be able to sell their merch directly. A billion-dollar TikTok Creator fund will provide direct financial payments to attract, support and compensate new creators. And, in a throwback to the old days of appointment TV, TikTok is launching nightly programming which -- just a guess -- may be the last nail in the coffin of the very old, stale, and tired late-night TV shows.

So, if you're trying to build your business and create buzz, here are four of the most important TikTok tactics to keep in mind.

1.     Build a Culture of Support, Cooperation, and Partnership with your Key Players.

Only two industries call their customers "users" -- tech businesses and drug dealers. TikTok decided early on that even "influencers" was too passive a description and not a strong enough identity. "Creators" meant power, agency, and talent as well as a desire to make something. They are happy to work together, collaboratively, and competitively, and alongside TikTok to make their dreams and desires real. Unlike Uber, which treated its drivers as disposable cogs, or other sites which initially served everyone but the talent, TikTok made creators the central focus of its attention from the outset and the creators returned the favor. More than 80% of TikTok's 1.1 billion monthly active users have posted a video. It's a two-way partnership and a mutual admiration society.

2.     Explain and Insist Upon a Fierce Work Ethic, Accountability, and Everyday Output.

Creators listen and learn from their peers, copy, and build upon the best work they see elsewhere. They quickly realize that it's a 24/7 undertaking if they want to keep up, build their base, and hold on to their followers. Everything is about speed and currency and, if you don't have something new and different to say today, your visitors will quickly go elsewhere. Interestingly enough, in this rapid-fire world, chunky clunky, unpolished video reads as authentic rather than amateurish. Another lesson the old-time makers never learned.  Nonetheless, for the serious creators, it's still a much higher bar than many beginners realize and a lifestyle that leads to exactly the same kind of rude awakening which many new employees in other startups and high-growth businesses experience as well as early burnout. Success in this space also requires that the company itself be attentive, responsive, and infused with the same sense of urgency as all of the other parties.

 3.     Keep Moving the Cheese and Stay Ahead of the Competition.

When the competition wakes up, we want them to find our smoldering campfires while we're already over the next hill. Iteration and constant improvement are the whole ballgame, and no one has moved faster than TikTok. While the traditional players continue to ask their users to fit within their systems, TikTok listens aggressively to its creators' needs and moves quickly to respond. A great example is the length of permitted videos which started at one minute, moved to three minutes, and is now at 10 minutes. That opened up new opportunities and changed the game entirely. This adjustment was largely creator and data driven. Engaged viewers are far more willing than anticipated to watch their favorite creators' work for longer periods of time.

4.     Make Sure Your Technology is Top Notch.

While the front ends of the various video players may look similar, it's what's under the hood in terms of technology and how the specific content is parsed, selected, and delivered to each follower that really differentiates the competitors. TikTok's development of the "For You" page algorithm represented a material departure from the way that the game had been played and a major growth accelerant as well as a powerful tool in securing and cementing engagement. Previous programs fed visitors content from sites that the given viewer followed - a somewhat closed loop and really limited discovery. TikTok's system listened and watched what you were actually selecting and viewing in full as well as what you skipped over and then - from a vastly larger universe - selected and sent you content that the algorithm thought you'd most enjoy. This was a page taken right out the Steve Jobs bible. His famous quote: "People don't know what they want until you show it to them." TikTok did just that.

TikTok has plenty of old and new competitors, but no equals on the near horizon. If politics and regulators don't get in the way, it's hard to imagine that TikTok won't overtake Facebook and Google in the next year or two and become the world leader in social media.

Wednesday, January 23, 2013

Does Business Need the Arts to Be Innovative? Five Executives Weigh In


Featuring fresh takes and real-time analysis from HuffPost's signature lineup of contributors
Elysabeth Alfano

GET UPDATES FROM ELYSABETH ALFANO

Does Business Need the Arts to Be Innovative? Five Executives Weigh In

Posted: 01/23/2013 4:29 pm

There has been a lot of talk about the need for innovation in business lately. I am no market analyst; but, one need only look at the growth of Apple upon Steve Jobs' return to that company and his push for innovation to see just how critical innovation is to a healthy, competitive business model. As businesses struggle to remain on top and come out with products that corner and change the market place, I wonder where this innovation comes from? Is it simply that business executives try to hire creative people, who are also reliable, and accept the fact that, like having blue eyes or green eyes, some people are creative and some aren't? Or can creativity and innovative thinking be fostered?
Steve Jobs noted in a February 1996 article in Wired that was brought to my attention by Brain Pickings:
Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while. That's because they were able to connect experiences they've had and synthesize new things. And the reason they were able to do that was that they've had more experiences or they have thought more about their experiences than other people. Unfortunately, that's too rare a commodity. A lot of people in our industry haven't had very diverse experiences. So they don't have enough dots to connect, and they end up with very linear solutions without a broad perspective on the problem. The broader one's understanding of the human experience, the better design we will have.
If we take the above to be true (and I do), short of traveling around the world, how does one foster broad experiences? Michael Rose, CEO and chairman of Metropolitan Capital Bank & Trust believes that exposure to the arts is one way to do this.
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Jeanine Coupe Ryding artwork in the Metropolitan Capital Bank & Trust offices. Photo credit: Tom Van Eynde. For more pictures of the art and architecture in the MC offices, click here.
If you aren't familiar with Metropolitan Capital Bank & Trust, it is a business with a very interesting perspective on how to be the most creative, and, thus, the most competitive in their field. Metropolitan Capital Bank & Trust has chosen at its headquarters the historic Tree Studios in Chicago, a loft building that, despite its downtown location, is usually reserved for artists. It also commandeers a program called Art Works Chicago: A Progressive Corporate Exhibition in its offices, which features the work of prominent artists rotating through its offices three times a year. Rose states that what separates Metropolitan Capital is its differentiated business model for building solutions that address complexity with creativity. As a small bank which focuses on residential clients of considerable net worth, Metropolitan Capital prides itself on being a universal bank, meaning that it offers commercial banking, private banking, wealth management, investment banking, commercial lending and trust services. However, to stay ahead of the competition and offer something of value for its universal clients, Rose explains the need to create tailored innovative solutions to very specific needs on a broad range of services. In other words, creativity in finance is MC's reason for being, what sets them apart and as Rose says, allows them to "eschew the status quo."
So how does MC achieve their creative edge? "We receive impact from the art on exhibit at MC and the historic architecture of the Tree Studios on a daily basis. It is part of the fabric of challenging convention. The art forces the consciousness to explore its boundaries. It challenges us and reinforces, as a daily reminder, the value of creativity and of keeping an open mind through a daily dialogue with the work, which one can see differently on any given day." Reiterating what Jobs says above, the art work allows the MC team members to have more dots to connect through diverse exposure and experiences.
Metropolitan Capital Bank & Trust seems committed to the philosophy of fostering innovation, as it runs its bank differently than most, and not just due to their unique surroundings and rotating art exhibits. Ninety percent of those working at MC are owners in the business (62 percent of the clients are entrepreneurs) and they use the Socratic method of a free flow of ideas in their investment committee meetings in order to approach each client's situation with a fresh approach and customized solution. Rose explained to me that MC's willingness to be open-minded and explore all options is critical. With a willingness to see the world in a broad way filled with broad experiences that are honed in from a free flow of ideas, and working in a creative environment enriched with varied art, sooner or later, "something will reveal itself."
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Roger Brown artwork in the Metropolitan Capital Bank & Trust offices. Photo credit: Nixon Art Associates, inc. For more pictures of the art and architecture in the MC offices, click here.
Famous comedic actor and writer, John Cleese, again brought to my attention by Brain Pickings, seems to agree with Jobs and Rose that creativity and innovation can be fostered. "Creativity is not a talent. It is a way of operating." Further, he intimates that the process to finding a creative solution is the same for comedic writing and the arts as is it for everything else. "
We too often get stuck in the closed mode. Under the pressures which are all too familiar to us, we tend to maintain tunnel vision at times when we really need to step back and contemplate the wider view.
This is the extraordinary thing about creativity: If just you keep your mind resting against the subject in a friendly but persistent way, sooner or later you will get a reward from your unconscious.
Chicago business entrepreneur and CEO and president of Tribeca Flashpoint Media Arts AcademyHoward Tullman, agrees that having varied artwork in your business surroundings can help to keep the innovative juices flowing. 
There's no question in my mind that surrounding our students and our team with great, beautifully-executed examples of contemporary art has created the hyper-stimulating environment that it takes today to foster the kind of innovative and collaborative thinking -- and just plain excitement -- which sets those businesses apart which will be the new leaders in the digital revolution.
The best business leaders I know are great storytellers and the arts (in all forms) are how we best tell stories, connect facts and data with real emotion, and excite our people to accomplish great things together. This kind of collaborative and innovative growth and team-based learning simply can't take place in a sterile environment. Art stimulates us and leads us forward in all things.
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A view from Howard Tullman's office.
Michael Rose concurs.
Innovation and artistic vision with regard to finance is imperative. Creativity and complexity are things that we bring to the table for the quality and success of our clients. You can't underestimate the power of a stimulating environment, and the artwork itself, in fostering that approach. For example, when the artwork comes down and we switch over to a new exhibit, the whole place feels empty. There just isn't that on-going dialogue with the pieces and that added flow of energy.
I was first attracted to writing this article due to Metropolitan Capital Bank & Trust's unique approach to business. However, in doing further research, I found that, while certainly there are very few banks with MC's approach, Mr. Rose and Mr. Tullman's perspective on deriving innovation from arts world isn't as aberrational as all that. Richard Melman, the Founder and Chairman of Lettuce Entertain You Enterprises, Inc., had this to say: "I collect art, and I do appreciate art and artists. I get inspiration from a lot of different areas. At M Street Kitchen in Santa Monica, we created an art piece that says, "YES." (Meaning, whatever it takes, we say, "Yes.") So in this case philosophy and art blended together. I have an affinity for artists of any kind: painters, sculptors, chefs, musicians. I like the way they innovate. For me, it's hard to be creative in a vacuum, so I'm always interested in what's out there in the arts."
Co-founder and former vice chairman of Answers.com, current tech columnist for "The Daily Splash" for the Chicago Sun Times and Entrepreneur in Residence at the University of Chicago's Booth School of Business, Mark Tebbe agrees.
Today's business environment demands innovation and creativity today more than ever. Executives, as well as other business leaders, need to draw this innovation inspiration from a number of everyday creative sources such as music, theater and art. Those who appreciate creativity in these forms are often more inspired and open-minded to non-linear approaches to business problem thinking. And having art pieces around them and in the office can spark those creative inspirations, thus aiding the business.
However, before we assume that a trip to the Museum of Contemporary Art will do the trick, Melman was careful to point out that exposure to the arts is not all it takes. Regarding creativity he said, "It depends on the individual. A person can go to the opera regularly, but if he or she is not naturally creative or innovative, the opera can't change that. I believe that creativity is 80 percent discipline and 20 percent art. So, music can inspire, but it can't make a non-innovator into an innovator." True enough! Yet, it seems that making the connection between exposure to the arts and an increase in innovation in business has validity for the executives that I interviewed.
On a personal note, Senior Counsel at Bryan Cave LLP, attorneys at law, Scott Hodes added this sentiment.
For me, the visual arts have added an exciting dimension to my career. Although trained as a corporate and finance lawyer, my exposure to the visual arts, together with studying the history of art and reading art magazines and books, brought about my desire to collect art and ultimately led to personal relationships with a number of world class artists, dealers and collectors. Being a lawyer encouraged me to also become involved with legal problems involving the art world.
This career pivot made me realize that there is a significant intersection of art and the law. It challenged me to write a number of books on art and the law and to offer my services as an art lawyer both professionally and pro-bono. Over time, art law added another area of expertise to my career and this has been very rewarding at many levels for me and my law firm. In retrospect, art has enriched my life in so many meaningful ways that I often challenge my colleagues to get involved in the arts and add a new dimension to their life.
As arts education is slashed left and right in the schools as something not necessary to creating a competent work force, it is interesting to hear that exposure to the arts might make for more innovative business leaders, and that some leading business professionals value exposure to the arts as one of the tenants for establishing multi-dimensional, and thus, more competitive employees. If your firm (or you!) is looking at gaining an added edge in its offices, here are some businesses that look to bridge the gap between the arts and the public and help to foster creative thinking and broadmindedness through exposure to the arts.
A Muse : A Muse pairs working teams, from a few creatives to the entire group, with artists whose processes, presented in a fun, focused, and accessible experience, lead to fresh insights and approaches to problem-solving.

The Two Percent: The Two Percent Gallery Tours take small groups to visit New York City galleries and architecture for intimate, mind-opening and fun discussions, and some New York history along the way.

The Second City: Second City Communications provides corporate training -- in an improv-based, collaborative and social environment -- to develop presentation skills; creativity and innovation; sales training; change and agility; and teamwork and collaboration. 

Nixon Art Associates, inc.: Nixon Art Associates, Inc. is a Chicago-based independent advisor to corporate and private collections including art acquisition, collection management, and development of ongoing art programming for changing exhibitions in the workplace.

Tuesday, July 24, 2012

The Story of Steve Jobs: An Inspiration or a Cautionary Tale?

The Story of Steve Jobs: An Inspiration or a Cautionary Tale?

·         BY BEN AUSTEN



·         07.23.12 6:30 AM

Soon after Steve Jobs returned to Apple as CEO in 1997, he decided that a shipping company wasn’t delivering spare parts fast enough. The shipper said it couldn’t do better, and it didn’t have to: Apple had signed a contract granting it the business at the current pace. As Walter Isaacson describes in his best-selling biography, Steve Jobs, the recently recrowned chief executive had a simple response: Break the contract. When an Apple manager warned him that this decision would probably mean a lawsuit, Jobs responded, “Just tell them if they fuck with us, they’ll never get another fucking dime from this company, ever.”

The shipper did sue. The manager quit Apple. (Jobs “would have fired me anyway,” he later told Isaacson.) The legal imbroglio took a year and presumably a significant amount of money to resolve. But meanwhile, Apple hired a new shipper that met the expectations of the company’s uncompromising CEO.

What lesson should we draw from this anecdote? After all, we turn to the lives of successful people for inspiration and instruction. But the lesson here might make us uncomfortable: Violate any norm of social or business interaction that stands between you and what you want. Jobs routinely told subordinates that they were assholes, that they never did anything right. According to Isaacson, evenJonathan Ive, Apple’s incomparable design chief, came in for rough treatment on occasion. Once, after checking into a five-star London hotel handpicked for him by Ive, Jobs called it “a piece of shit” and stormed out. “The normal rules of social engagement, he feels, don’t apply to him,” Ive explained to the biographer. Jobs’ flouting of those rules extended outside the office, to a family that rarely got to spend much time with him as well as to strangers (police officers, retail workers), who experienced the CEO’s verbal wrath whenever they displeased him.



Jobs has been dead for nearly a year, but the biography about him is still a best seller. Indeed, his life story has emerged as an odd sort of holy scripture for entrepreneurs—a gospel and an antigospel at the same time. To some, Jobs’ life has revealed the importance of sticking firmly to one’s vision and goals, no matter the psychic toll on employees or business associates. To others, Jobs serves as a cautionary tale, a man who changed the world but at the price of alienating almost everyone around him. The divergence in these reactions is a testament to the two deep and often contradictory hungers that drive so many of us today: We want to succeed in the world of work, but we also want satisfaction in the realm of home and family. For those who, like Jobs, have pledged to “put a dent in the universe,” his thorny life story has forced a reckoning.



Is it really worth being like Steve?



In one camp are what you might call the acolytes. They’re businesspeople who have taken the life of Steve Jobs as license to become more aggressive as visionaries, as competitors, and above all as bosses. They’re giving themselves over to the thrill of being a general—and, at times, a dictator. Work was already the center of their lives, but Jobs’ story has made them resolve to double down on that choice.



Steve Davis, CEO of TwoFour, a software company that caters to financial institutions, was eager to talk about Jobs’ influence on his own life and career. But first he had to find a free half hour. When he finally did steal a few moments to speak, he explained that he had consciously set aside certain aspects of his family life, since he believes that startups fail when those involved aren’t committed to being available 24 hours a day. Luckily, Davis told me, he was blessed with a wife who picked up the slack.

Davis detailed these choices matter-of-factly, but his voice rose with fervor when he described the intensity and uncertainty of entrepreneurship. He loved every minute of it. He didn’t operate with a corporate safety net. His lawyer was calling him at that very moment with a contract question, and Davis needed to pick a direction and just go with it. What should he decide? He admitted he didn’t know. The thrill came from the possibility that he might be wrong. “Guys who start companies are different from other people,” he said. “We’re willing to fail. Look at Jobs. He got knocked down, and he kept going. He’s totally unconventional, driving on his particular path, and either you join him or get out of the way.”

Join or get out of the way—it’s a phrase that sums up what Jobs’ life has taught his admirers today. Andrew Hargadon, a professor at UC Davis and author of How Breakthroughs Happen: The Surprising Truth About How Companies Innovate, points out that Jobs’ brashness has helped inspire a larger reaction to several decades of conventional wisdom about the importance of worker empowerment and consensus decision- making. “Jobs is showing us the value in the old-school, autocratic way. We’ve gone so far toward the other extreme, toward a bovine sociology in which happy cows are supposed to produce more milk.” That is, it took a hippie-geek like Jobs to give other bosses permission to be aggressive and domineering again.



This isn’t aggression for its own sake but for the good of a company. Tristan O’Tierney, a Mac and iPhone software developer, helped Twitter creator Jack Dorsey found the credit-card-swiping startup Square three years ago. O’Tierney says that he now sees the value in bluntly telling people their work is crap. “You don’t make better products by saying everything is great,” he explains. “You make them better by forcing people to do work they didn’t know they had in them.” Aaron Levie, a self-described Jobs “wantrepreneur,” started Box, which allows cloud-based file-sharing, in his USC dorm room in 2005. To new hires, he quotes Jobs—”Some people aren’t used to an environment where excellence is expected”—to make clear to them that Box is just such an environment. “My lesson from Jobs,” Levie says, “is that I can push my employees further than they thought possible, and I won’t rush any product out the door without it being perfect.” He adds: “That approach comes with collateral damage on the people side.”



It’s true that Apple employees rarely quit when Jobs called them shitheads, or even when he took credit for their ideas. An early manager on the Mac team told Isaacson about the abuses Jobs heaped on employees. But she said, “I consider myself the absolute luckiest person in the world to have worked with him.” These sorts of testimonials are the proof, for many entrepreneurs and executives, that strong leadership and impressive results will lead employees to tolerate, even to embrace, unpleasant work conditions. Ray Dalio, founder of Bridgewater Associates, the world’s most profitable hedge fund, has been called the “Steve Jobs of investing,” in part because his firm practices a form of radical forthrightness. All Bridgewater employees are expected to clash with one another, to speak without filters or concerns about sensitivities. Dalio says he shares Jobs’ belief in the benefits of a tough, brutally candid office environment, though he requires his employees to dish it out to him just as much as they take it. He likens the mode of dialog he practices—not just at Bridgewater but in all his personal relationships—to twisting one’s limbs into a difficult yoga position or training as a Navy SEAL. “Pretty soon the pain becomes pleasure and you can’t live without it,” he says.

What acolytes want most of all is to possess the same certainty about their vision that Jobs felt about his. Neal Sales-Griffin, 25-year-old cofounder and CEO of Code Academy, a programming school in Chicago, says that after studying Jobs’ life, he doesn’t waste time anymore with the intricacies of etiquette. He openly denigrates projects that aren’t working, even if others have already invested countless hours in them. He recalls Apple’s inauspicious launch of MobileMe, the subscription service that was supposed to sync a user’s entire online existence in the cloud. From a stage in an Apple auditorium, Jobs berated the MobileMe employees for their inability to create a better product—”You should hate each other for having let each other down”—and then fired the team leader on the spot. “Jobs’ passionate approach has empowered me to be myself, with my flaws and difficulties and limitations,” Sales-Griffin says. “Look what came of it for him.”

The second camp is what you might call the rejectors. These are entrepreneurs who, on reading about Jobs since his death, have recoiled from the total picture of the man—not just his treatment of employees but the dictatorial, uncompromising way that he approached life. Isaacson’s biography is full of stories of Jobs as an unpleasant individual—the fits he would throw over the most picayune-seeming details, like the type of flowers in his hotel room or the way an aging Whole Foods barista made his smoothie. He would park in handicap spaces; he refused to get a license plate for his car. And he abandoned his oldest daughter, applying his “reality distortion field” to the question of his own paternity.

Jeff Atwood was once an acolyte. He had subsumed the whole of his identity into the company he created: Stack Exchange, a network of online Q&A sites. “You gird for war,” he says about the ethos of running a startup. “You need a spiritual fervor, an almost religious belief in the mission, to throw yourself on the shores and attack.” So it came as a surprise to Atwood—and everyone else—when he realized that he had to leave behind Stack Exchange and the startup life. And the Isaacson biography was what prompted his epiphany, turning him into a devout rejector.

He already knew all the stories about Jobs the businessman and innovator. But what he found harrowing, almost too painful to read, were the details about Jobs’ family and personal life. Atwood was brought to tears by a passage in which Jobs showed drawings for the new Apple campus to his son at home one night, and it didn’t even occur to him to call over his daughter, who had expressed interest in becoming an architect. “He paid less attention to Erin,” Isaacson writes about Jobs and his daughter, “who was quiet, introspective, and seemed not to know exactly how to handle him, especially when he was emitting wounding barbs.” Atwood, 41, recently became a father to twin daughters, and he said what Jobs did was “the opposite of parenting. Parenting is being there, man. It’s showing up.” The biography forced him to see that he, like Jobs, had allowed work to dominate his life. Atwood groaned as he recalled how Jobs would respond directly and rudely to some random customer’s email in the middle of the night: “Here’s why you’re an idiot.” Atwood would do the exact same thing. He really didn’t want to quit, but he saw that nuclear option as the only way to disrupt the cycle. “If you’re going to fail at building something,” he says, “fail at building the fucking iPad. Don’t fail at building children.”

For some of these more repulsed readers, it’s the tales of managerial cruelty that have gotten under their skin. Verinder Syal—a former executive at Quaker Oats who bought a coffee franchise, sold it, and now runs a consulting firm and teaches business-school students—expected to adore the biography. He greatly admired Jobs’ ambitions, and he regularly extolled him to students as a paragon of leadership. The book saddened him, though: Syal couldn’t understand why Jobs felt the need to be right all the time and to blame others, why he had to claim other people’s ideas as his own. Syal says he went back to his classes and admitted that he was wrong. “Jobs was like dynamite,” Syal says. “Dynamite clears paths, but it also destroys everything around it.” Syal didn’t think much of Bill Gates before, but he does now. “Gates evolved from an asshole into a human being,” he says. “Jobs remained an ass.”



But most of the rejectors are, like Atwood, entrepreneurs who worry about their roles as fathers. A few of them single out one particular moment near the end of the book, when Jobs explains why he asked Isaacson to write it. “I wanted my kids to know me,” Jobs said. “I wasn’t always there for them, and I wanted them to know why and to understand what I did.” Brad Wardell, CEO of the software and computer-game-design company Stardock, was shaken when he realized that the same powers of reality distortion that allowed Jobs to create the iPod also led him to deny the seriousness of the pancreatic cancer that killed him. (For nine months, Jobs delayed undergoing conventional treatment.) Wardell, 41, says his formative years corresponded to the rise of Jobs, and Jobs’ influence helped him “put every ounce of energy and focus into Stardock.” That translated into 80- and 90-hour workweeks, maniacally testing every version of every piece of software, reviewing all source code, writing notes nonstop. “But I realized that, like Jobs, I could die. Jobs missed out on his kids, and I’d have missed out on mine too.” Wardell now often works from home, and he has hired people to manage aspects of the business he previously handled himself.



Many of these former fanboys are reconsidering their allegiance to Jobs in part because they are no longer boys. Now in their forties, they’re confronting the end of their young-adult selves—they have children, and their own parents have become senior citizens or died. Matt Haughey, founder of the community weblog Metafilter, addresses this point directly in a presentation called “Lessons From a 40- Year-Old,” which he delivered last February at the web-design conference Webstock. Haughey remarked that he was grayer, his daughter was turning 7, he had recently put down a longtime pet, and he had experienced his own near-brush with cancer (a brain tumor that turned out to be benign). Haughey heard many in his cohort—most of them devoted Jobs followers—saying, “It is time not to end up like Steve.” So rather than trying to create the next Apple, he proposed building a “lifestyle business,” a smaller-scale enterprise that rejects venture capital and funds itself, leaving its owner time for pursuits outside of work. He displayed a graph of his mid-twenties existence, with the bar representing work towering over the one for personal life. Now that he’s 40, the bar heights are reversed.

It’s worth pointing out that these male rejectors have wound up where most female entrepreneurs have been all along. Women CEOs and managers didn’t need a biography of an absent father to start thinking about balancing work and family; unlike the fortysomething dudes, they’ve been having conversations about this trade-off most of their lives. Rashmi Sinha, CEO of the presentation-sharing service SlideShare, was pregnant with twins when she devoured the Isaacson book. She read it to understand how Jobs created great products, but the possibility of gleaning any personal lessons from his life didn’t even cross her mind. Similarly, Heidi Messer, cofounder of the affiliate-marketing firm LinkShare, has told her entire marketing staff to read the biography, but without any thought that they’d construe Jobs to be her own role model as a manager. She does suggest one personal lesson from Jobs’ life: “If he could do Apple and Pixar—two multibillion-dollar companies—then I should be able to handle one business and also my family.”

The rejectors all know that quelling their Jobs-like tendencies will be a struggle. They are by nature strivers, perfectionists. They also know that their retreat from the struggle—adopting a lifestyle-centric approach to business—means they will never accomplish as much as they would have otherwise, let alone as much as Jobs did. If they used to release six products a year, now they produce only two. If previously they sent out three dozen emails during the dinner hours, then now they make do with sending just a few. Rather than planning to take their startups public, they are shooting for enough profit to sustain their employees and themselves. To create the lifestyle they want, or need, these entrepreneurs are reining in their compulsions, imposing limits on themselves.

When he’s not writing best-selling biographies, Walter Isaacson runs the Aspen Institute, a nonpartisan think tank based in Washington, DC, that covers everything from business development to education and foreign policy. At his office there, Isaacson proves to be a gracious New Orleanian, easeful and attentive—in short, nothing like Steve Jobs. He says that readers of the biography have been seeking him out to discuss their uncanny similarities to Jobs or their desires to behave more like him. Two executives visited the writer separately just hours before me. One of them was Bridgewater’s Dalio, who came specifically to confer about people he called “shapers,” those who overcame tremendous opposition to transform vision into reality. Dalio hoped that he and Isaacson could suss out a few of the traits shared by such shapers as Jobs, Benjamin Franklin, Albert Einstein, Margaret Thatcher, and perhaps also Dalio himself. When I asked Isaacson about the life lessons of Jobs, he ducked behind his desk and returned with articles that had recently been forwarded to him, each one about the merits and demerits of emulating Jobs’ jerkiness.



Isaacson himself has published what he deems a corrective, writing in Harvard Business Review that readers hoping to draw meaning from Jobs’ life should fixate less on his petulance as a boss and more on his remarkable achievements at Apple and Pixar. Isaacson distilled the real leadership lessons of Steve Jobs down to 14 business proverbs, such as “Bend reality,” “Push for perfection,” and “Tolerate only A players.” “Long after their personalities are forgotten,” he remarks of Jobs, along with the pantheon of Edison, Ford, and Disney—not one a saint—”history will remember how they applied imagination to technology and business.”

The author admits that he now tends to defend Jobs against personal attacks, since his book has provided much of the ammunition. Isaacson sees Jobs as being hardly more blameworthy, even in his worst moments, than other powerful people. Readers he knows personally claim to be shocked that Jobs would brazenly park in handicap spaces, but Isaacson says some of them are bankers who created the derivatives that screwed clients out of their life savings and helped lead to worldwide recession. When other readers express their contempt for the way Jobs treated his family, Isaacson asks them, “Then how come you’ve been married three times and this particular daughter doesn’t fucking speak to you?” Indeed, Isaacson rejects the premise that Jobs failed with his family. He points out that Jobs ended up with a strong marriage and four loving children, all of whom were at his side during his illness. A wooden table filled much of Jobs’ kitchen, and for the last two decades of his life he came home just about every night and sat down for dinner. “Jobs could have been a better father,” Isaacson concedes. “But I look at that family, and it’s perfectly wonderful. It couldn’t be a better family.”

Yet Isaacson understands how genius worship has led to multiple interpretations. “It’s like arguing the gospels with a fundamentalist,” he says about the futility of trying to rebut what he sees as misreadings of Jobs’ life. He tells me what he’s told lots of people who have sought him out to catechize about the book—that his biographies aren’t how-to manuals for the good life. He isn’t arguing that readers not look for guidance in the story of Jobs; he knows it is the nature of biography-reading to do so. But Isaacson stresses that Jobs’ life was complex, the lessons to be found myriad.

At least since Plutarch illuminated the moral character of famous Greeks and Romans, readers have looked to biographies for guidance and inspiration. My father still recites a corny Longfellow poem he learned as a kid back in the ’50s:

Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints on the sands of time;

Footprints, that perhaps another,
Sailing o’er life’s solemn main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.

Some intimate portraits are meant to debunk the iconic figure, their anecdotes served up as exposé. But usually the readers of biographies are supposed to recognize some aspect of themselves, or a wished-for better self, in the footprints of the eminent subjects. The genre is intensely individualistic, rebuffing sociology and collective history, and the reading experience winds up being no less personal.

Ironically, in Jobs’ remarkable story of self-creation we can see why the rest of us are so hungry for a role model to light our own paths. Whether it was in the early days, when he manipulated Steve Wozniak into building products for him to sell, or later in his career, when he was struggling to shape NeXT from scratch, or even after returning to Apple, when he created entirely new products, Jobs had no one to tell him how to realize his vision. He made high-stakes decisions on his own, with little to rely on besides his well-honed intuition. And on a smaller scale, isn’t that true of us all? In life, as in business, there really aren’t any concrete answers or clear guides. We can’t help but see a biography like Steve Jobs as a rare road map to the uncharted world we awake to every morning.

So what, then, is Jobs’ real legacy as a human being? “It’s his passion,” Isaacson says, after some deliberation. “We all want to lead the passionate life. We want a life of emotional connections. If that’s what you get by saying, ‘I will be more like Steve Jobs,’ then that’s not bad.”

The gospel of Steve Jobs has spread far from Silicon Valley to touch people in every field of business. My cousin Jason is a yoga entrepreneur in Asheville, North Carolina; he makes foam accessories to help people stretch more ergonomically. When he came to visit not long ago, he brought his copy of Steve Jobs along with him. “I care about all these tiny design details no one else does,” he says, nodding at the book as it sat between us on my dining room table. “I get frustrated, catching myself telling people who work for me that their ideas are shit.” Our respective children in the next room celebrated their reunion by putting on a succession of princess and monster costumes. Motioning toward them, Jason said he now accepts that traveling constantly and spending less time with family is a necessary trade-off if he, too, wants to produce a great product. “When your karma and your lila meet, you find your dharma—your one true path,” he tells me, citing a precept that might have sat well with Jobs, a devotee of Eastern religions. “It’s a beautiful concept. You discover your way to contribute to the world. That’s what Jobs found. He contributed so much to humanity with his products.”

In the end, that remains the paradox in the life of Steve Jobs. He put his uncompromising and sometimes brutal personality into the creation of products that strike us as beautiful, even uplifting. But the historical moment that he helped to create—a magical intersection of technology and commerce and culture, as our computers and computerized gadgets matured from purely functional items to expressions of ourselves—is unique to his life story. Without his unyielding approach to design, we might never have had our iPods and MacBooks and iPads. But most of us don’t need, or want, to take such an unyielding approach. We don’t operate Apple-sized corporations and redefine industries. Our employees, if we have any, will quit or undermine the company if they are repeatedly called shitheads who suck. Family members will find ways to administer payback if persistently ignored or mistreated. Jobs operated on an entirely different plane from just about anyone else. For the rest of us, trying to behave like him will make us and everyone around us miserable.

As he was writing his 2007 book, The No Asshole Rule, Robert Sutton, a professor of management and engineering at Stanford, felt obligated to include a chapter on “the virtues of assholes,” as he puts it, in large part because of Jobs and his reputation even then as a highly effective bully. Sutton granted in this section that intimidation can be used strategically to gain power. But in most situations, the asshole simply does not get the best results. Psychological studies show that abusive bosses reduce productivity, stifle creativity, and cause high rates of absenteeism, company theft, and turnover—25 percent of bullied employees and 20 percent of those who witness the bullying will eventually quit because of it, according to one study.



When I asked Sutton about the divided response to Jobs’ character, he sent me an excerpt from the epilogue to the new paperback edition of his Good Boss, Bad Boss, written two months after Jobs’ death. In it he describes teaching an innovation seminar to a group of Chinese CEOs who seemed infatuated with Jobs. They began debating in high-volume Mandarin whether copying Jobs’ bad behavior would improve their ability to lead. After a half-hour break, Sutton returned to the classroom to find the CEOs still hollering at one another, many of them emphatic that Jobs succeeded because of—not in spite of—his cruel treatment of those around him.

Sutton now thinks that Jobs was too contradictory and contentious a man, too singular a figure, to offer many usable lessons. As the tale of those Chinese CEOs demonstrates, Jobs has become a Rorschach test, a screen onto which entrepreneurs and executives can project a justification of their own lives: choices they would have made anyway, difficult traits they already possess. “Everyone has their own private Steve Jobs,” Sutton says. “It usually tells you a lot about them—and little about Jobs.”

Ben Austen (bausten@gmail.comwrote about YouTube stars in issue 20.01.


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