Francien Krieg (1973) lives and works in The Hague, The Netherlands.
In the studio of Francien Krieg a glass is displayed with bird skulls and a small fetus in a jar. It is noticeable that transience of nature intrigues her. In the work of Krieg the theme of transience concentrates on the naked body of elderly women. Krieg paints the naked woman unpolished and realistic, as a pure human being. The beauty of imperfection becomes clear in her raw, poetic art and has the capacity to touch the observer.
Krieg always painted human beings. At first she was intrigued by the form of the human body, but gradually her fascination with the texture and the colors of the human skin increased which is expressed in her realistic style. She tried once to show the inner side of human beings, but that did not appeal her. ‘I think the inside is bloody and nasty, while the outside is interesting for me. The wrinkles and varicose veins of the elderly are to most people an illustration of imperfection, but to me they depict beauty.
According to me, a smooth, polished skin is less interesting then an aged skin. Painting the unpolished, aged skin is a way to express the inside.’
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