Monday, June 20, 2011

TRIBECA FLASHPOINT ACADEMY CEO HOWARD A. TULLMAN - CONTEXT IS KING


Is Context the New King?


June 17, 2011 10:00AM EDT By Katharine Relth

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During the 2011 Tribeca Film Festival, several unique conversations in the Tribeca Talks: Industry series were organized as a way to inspire industry professionals, thought leaders, and Festival attendees to think about the present and future of filmmaking in new, innovative ways. Offering something different than the traditional screenings and director Q&As we so often find at film festivals, the 2011 Tribeca Talks series featured discussions on new methods of documentary distribution, the serious business behind entertainment, and how social media is changing the way we conceive storytelling.


The social media topic provided for a rich discussion that appropriately took place simultaneously in one of Tribeca’s many venues and within a chat-enabled live streaming channel. After the Amplify the Message: Social Media panel had culminated, the deluge of audience questions began on topics from monetization to interdisciplinary strategy. As the moderator of the chat room, I involved the people watching online—some from as far away as Brazil and Africa—in the discussion as well, allowing those not present in the room to be truly connected to this event.

Is+Context+the+New+King%3FModerated by Marc Schiller, CEO and Founder of Electric Artists, Amplify the Message brought together media creators and influencers from the worlds of filmmaking, social activism, and education to share their social media knowledge, strategies and experience. Joined by director/screenwriter Rider Strong, social activist and transmedia consultant Lina Srivastava, and the President and CEO of Tribeca Flashpoint Academy Howard A Tullman, Schiller gave voice to his distaste for the phrase “content is king.” This small statement began one of the more intriguing discussions of the panel: What is content now? And if content is not king, then what is? Relationships? Self-promotion? The audience?

Answer: None of the above. According to this panel, CONTEXT is now king.

This idea initially came from Tullman and was echoed in different ways by the other two panelists. Tullman asserted that “if a message is delivered in the right context it’s more important even than the content, certainly in terms of reaching the kinds of people we want to reach.” This is true for most content creators, and especially for short films that don’t receive the same promise of distribution as feature films. Rider Strong understood that when cutting the trailer for his short Dungeon Master, “The content had to change because [the web] was an entirely different context for a trailer.” Srivastava elaborated by explaining that content delivery is “not that flat structure any more; content is how you tell your story.”

And that’s what social media strategy is all about, isn’t it? Contextualizing a targeted message for a specific platform delivered to a select audience. Unlike the days of television and radio, what you say no longer reigns supreme, but rather how you say it. In fact, context may have always been king—we just didn’t know quite how to define that ruling force.

We’ve pulled a clip from the panel so you can watch and decide whether you agree with Strong, Tullman and Srivastava for yourself. And for those of you looking for inspiration, the panelists also offer some of their favorite personalities, companies and organizations that are doing some really interesting work in their own corners of the web.

Take 9 minutes out of your day to watch the following clip—it’s thought-provoking, to be sure!


TRIBECA FLASHPOINT ACADEMY CEO HOWARD A. TULLMAN COMMENTS ON THE ARTS IN CHICAGO TRIBUNE

Arts leaders speak up -- is Rahm listening?

Cultural figures sound off on what should happen in the Emanuel era

Howard Reich
Arts critic
3:56 PM CDT, June 17, 2011

Chicago may be a famously spectacular setting for arts and entertainment, but the city needs to bulk up for the future -- according to those who make culture happen here.

In coming months and years, they say, the city needs to build a music district. Rebuild the Department of Cultural Affairs. And blow up the foreboding stairs that front the Museum of Contemporary Art.

That's not all: Re-imagine the summertime music festivals, so they spread beyond Grant Park and into the city's clubs and concert halls. Bring music and dance and theater to the city's poorest neighborhoods, not just its most affluent. Make sure every kid gets equal access to arts education, no matter where he or she goes to school.

You've heard about the League of Chicago Theatres, which promotes and nurtures the city's sprawling theater industry? How about a League of Chicago Comedy? A stronger dance ecosystem? A network of 100-seat performing arts spaces across the city?

With Mayor Rahm Emanuel's new administration just getting into gear, Tribune reporters Mark Caro, Nina Metz and I asked some of Chicago's savviest cultural players to answer three questions: What would you most like to see happen culturally in Chicago in the next six months? How would you measure success six months from now? What's the biggest change you hope will have taken effect four years from now?

Some of the experts had served on the art-and-culture committee for Rahm Emanuel's transition team. Others operate far from the corridors of power. All sounded off on what ought to happen at the beginning of Emanuel's first term as mayor -- and at its end.

But that's just the start of the conversation. The least predictable ideas likely will come from those who buy the tickets, wait in line for seats and otherwise make the culture industry flourish here: You.

Which is why we'd love to hear your responses to this question: What do you think should happen culturally in Chicago in the next six months -- and the next four years? Please send your thoughts to ctc-arts@tribune.com.

We'll publish many of the suggestions in next Sunday's Arts & Entertainment section, to help shape the discourse.

Mayor Emanuel -- are you listening?
Experts shared their visions on the questions below with Howard Reich, Mark Caro and Nina Metz.

1. What would you most like to see happen culturally in Chicago in the next six months?
2. How would you measure success/accomplishment six months from now?
3. What's the biggest change you hope will have taken effect four years from now?

Helen Doria
Independent consultant
Was a member of the art and culture committee for Mayor Rahm Emanuel's transition team
1. I would love to see a new plan for Chicago's festivals, connecting our downtown area and the neighborhoods. There is so much happening, and it's vital to make sure that whatever is presented in any space on the lakefront is not "stepping" on another downtown event! We need to rethink what a festival is in Chicago. I recently had a conversation with Tim Evans (executive director of Northlight Theatre), one of our great Chicago theater guys, about new festival models, including the Galway Arts Festival (in Ireland) and Luminato in Toronto. These festivals are spread out at lots of venues. They mix free performances with ticketed ones, present all kinds of music and art, indoors and outdoors, and are really dynamic. There is no reason that Chicago can't do this. Let's go for it!
2. For the rethinking of festivals, I would look at what could happen for the summer of 2012. Lots of people have been thinking and talking about making changes in our festivals for a while. And I think the political will is there too. Let's start testing some of this to see what works. A strong measure needs to be economics. We need to make sure that any plan has a strong business plan that ensures that our artists, clubs, venues, hotels, neighborhood restaurants are all able to be a part of economic success that these kinds of festivals can produce. The great balance is in not losing our great free programming while we develop this new model. Also, (I'm) not sure how you measure joy from experiencing all this great art — maybe by how many people are walking around town singing or dancing in the streets?
3. I have such great hopes for the next four years. I would love to see our city known as America's City for Arts and Culture. That means a strong tourism campaign. Our kids will be thriving in arts programs in their schools, the neighborhoods will be humming with local and global arts experiences, our artists will be working and making a living here, and also (will) be traveling around the world with our new mayor. Our cultural institutions will be jam-packed. There will be a creative buzz that permeates the city with artists working side by side within every aspect of our city's life, and the city government will welcome and seek that participation. Oh, and there will be many, many Rahm sightings at all kinds of arts events around the city. I really believe all this is possible.

Brian Golden
Artistic director of Theatre Seven
1. Mayor Emanuel has already taken a major step toward cultural change by leading a dialogue about Chicago's great neighborhood theater scene as a civic necessity, more than just a means to a strengthened economy. Live theater can indeed be an engine for economic growth and job creation. But Mayor Emanuel needs to continue focusing the citywide conversation on the primary value of great local theater (as an) essential cultural vibrancy for all of Chicago, not just economic windfall, and not just for downtown.
2. The new mayor should reverse Mayor (Richard) Daley's misguided decision to gut the Department of Cultural Affairs, which diverted focus and jobs to the Chicago Tourism Fund and, sadly, positioned arts and theater as a means to attract tourists, not as key cogs of the healthy cultural life of a great city. Mayor Emanuel should replenish the DCA and give it a special emphasis on "neighborhood culture," following through on his statements about the essential benefit of great Chicago neighborhood theater and the city government's role in helping it to flourish. Mayor Emanuel is on record as saying that the DCA needs "a renewed mission and new investment." That renewed mission must be an emphasis on creating viable, sustainable and delightful live art in diverse Chicago neighborhoods.
3. One of the defining barriers preventing most Chicago theater companies from achieving sustainable, long-term success is the lack of affordable, available, 100-150 seat performance venues in our city. In four years, we should be celebrating the creation of several neighborhood theater centers, found on street corners that represent Chicago's diversity, funded with both city and private support. These neighborhood centers should offer Chicago's diverse audiences and talented artists the opportunity for a meaningful artistic exchange that serves the city and its people.

David Chavez
Founder and artistic director of Sound Culture Center for Global Arts
Was a member of the art and culture committee for Emanuel's transition team
1. A concise and thoroughly thought-out cultural plan is really important. I think that helps drive our activity within the arts at the city level. That's got to include voices like myself, other smaller arts organizations, nonprofit organizations, for-profit arts companies. The idea has been tossed around about having a music office in City Hall, and I think that should be considered seriously, because it's a vital industry we have in Chicago and a huge economic engine that should be recognized a little more and represented. Also, we really need to get our house in order with DCASE (Department of Cultural Affairs and Special Events) and increase the city budget for arts. That process should get started ASAP.
2. There should be some committees formed to start working on a cultural plan. Some organization has to happen within the arts community, directed by the city, to really help get the ball rolling on putting these ideas into action. That (would be) a good sign that things are starting to happen, instead of just hoping and saying, "We believe in the arts." Get something going.
3. Within the arts, I would like Chicago to look and feel really like a global cultural hub. There's so much going on, (but) there's also so much disconnect, (among) different communities, between the city and nonprofit arts organizations. In four years, I'd like to see more cultural arts happening around Chicago and in the neighborhoods. Coming out of downtown and expanding into different neighborhoods is important and it helps connect us as a city. There are so many ethnic enclaves in Chicago that are culturally rich, and I don't feel that they're connected to other things happening. I don't feel people are traveling a whole lot to different neighborhoods to experience those things. There are neighborhoods like Logan Square,Pilsen, Bridgeport, that could be these cultural hubs that we've been talking about, that could really help make the city feel more like a global capital. Some emphasis on developing those neighborhoods as cultural hubs, without displacing the community, is the key. More music!

Angel Ysaguirre
Director of global community investing at Boeing Co.
Was a member of the art and culture committee for Emanuel's transition team
1. I think that despite the vibrancy of Chicago's arts scene, there are still parts of the city where there are fewer arts offerings, and many of our arts organizations are struggling. Over the next six months, I'd like to see a blueprint for how to provide services for different disciplines of the arts and for coordinating these arts providers.
2. I would look for a plan that has input from a broad variety of arts organizations and arts advocates. I feel like our arts organizations do a really good job, and I don't see a need in Chicago for (improvement in) what arts organizations need to do for themselves, but what arts organizations can do together. That takes a bit of organizing, and we wouldn't see a change in that in six months.
3. I would like to see more arts in the neighborhoods — especially poor neighborhoods — a stronger dance ecosystem, stronger connections between the nonprofit and commercial arts providers, and coordinated and sequential arts education in the schools. If I had to choose just one, it would be for coordinated and sequential arts education in the schools.

Michelle Boone
Commissioner, Chicago Department of Cultural Affairs and Special Events
1. In six months, I hope we have a solid start on engaging the community on crafting a cultural plan for the city — one that has solicited broad input from artists, arts workers, musicians, filmmakers, youth, civic and business leaders, journalists and the general public.
2. The cultural advisory council is in place (with Nora Daley Conroy as chair and Marj Halperin as vice chair) and is working to finalize the cultural plan and craft key action items for implementation in 2012.
3. Chicago becomes the primary city for incubating innovative artistic practices; all neighborhoods have quality cultural resources within their communities; and the city is positioned as the nation's hub for fostering creative industries.

Howard Tullman

President and CEO ofTribeca Flashpoint Media Arts Academy

1. I think establishing a music district similar to the (Loop) theater district, but not downtown — perhapsUptown orBronzeville — which could become a hub for new clubs and new talent as well as a celebration of Chicago's major historical music roots would be great. The Riviera and the Uptown (theaters) would be larger anchors, but the idea would mainly be smaller clubs, new restaurants, etc. (The city could help make this happen by) easing and speeding the permitting process, helping to get funds to landmark some of the facades on these great old venues and by creating better bus routes to the area.

I also think that the band shell (at the Pritzker Pavilion) should become a regular "next night" venue all summer long for the acts that play Ravinia.

2. More media time (in other words, more stories) as a percentage spent on celebrating music and arts rather than bemoaning mobs and murders.

3. I'd like to see the Museum of Contemporary Art take over (the park across the street from the entrance) and close that block and create a new front for the MCA and a community gathering space and arts park that better connects the MCA toMichigan Avenue — and also makes it much more inviting to all.
The stairs to the MCA are the worst and most forbidding part of the design and should be blown up. At BAM (Brooklyn Art Museum) they completely opened up the front of a similarly imposing facade and extended the museum into the park, and the community responded dramatically by spending lots more time there, using it as an event and performance space, etc.

Phillip Thomas
President and CEO of eta Creative Arts Foundation
Was a member of the art and culture committee for Emanuel's transition team
1. I'd like to see more cultural districts evolve throughout the city, and cultural districts mainly form through community involvement with a lot of stakeholders. It would be great if we could have some resources on the ground in neighborhoods around cultural activities, specifically aimed at youths. It's going to be a long, hot summer, and I think there's a strong correlation between anti-violence and cultural activities. I think an investment in that kind of thing certainly over these summer months requires a good look.
2. Have we helped bring more resources around culture to neighborhoods we wouldn't necessarily think about? What kind of cultural activity can we point to that exists now in areas that it didn't exist before?
3. A strategic city investment in coordination between the parties that are trying to build these cultural hubs, so that it's almost a one-stop shop if a neighborhood wants to do these kinds of things (build theaters, open art galleries and music clubs, etc.). Neighborhoods can go to a comprehensive planning team or commission (within city government) where there's a designated point person who can help streamline the process. That would be a function of the city that's useful beyond investing money. Cultural districts rarely just grow by themselves. You want to plan for them and help them become established. You don't want these cultural entities working on their own in isolation.

Byron Hatfield
President of Pub Theater Company and CEO of video production company BBL Productions
1. The city of Chicago has two great immediate, nationally recognized cultural institutions that loom above its rival cities: our architecture and our comedy. Our architecture has the immediate presence of a slew of tours that serve to promote and educate visitors and residents. Basically, there's a whole industry surrounding the architecture culture community that is commonly supportive, organized and directed. Meanwhile, our comedy community is quietly at its prime. Chicago has a long history of developing the best actors and writers that LA can steal away from us. I'd like to see that stop. If I could see one thing, I'd like to see a unified face of the Chicago comedy community develop. A League of Chicago Comedy would be a start — an entity that subsumes ego and actively leverages the considerable talent and potential of our world-class comedy community to the film houses and production companies that currently take advantage of it in piecemeal form. The city doesn't need to give money, just its contacts and backing (and therefore confer) legitimacy.
2. A series of benchmarks (including) the use of social media to track national recognition (marketing Chicago's comedy scene outside of the city) and using historical data correlating revenue streams from the comedy community and film community, so that there is a way to trend growth of a new, combined market.
3. Every time a major studio starts a major comedy production, I'd like them to have major thoughts of turning the entire project over to the hands of a group of talent from Chicago. Complete vertical integration of our own internationally renowned, smoothly integrated, fully financed studio city here in Chicago. A one-stop shopping center for all your comedy needs: from script to stage to Web to film, written, directed and produced here in Chicago, enjoyed by the world. Courtesy of the Chicago comedy machine.

Cheryl Hughes
Chicago Community Trust, senior director of strategic initiatives and centennial planning
Was a member of the art and culture committee for Emanuel's transition team
1. I'd like to see the Chicago Department of Cultural Affairs and Special Events commission a new cultural plan for Chicago. Chicago hasn't had a (completely new) cultural plan since 1984. Going through a cultural plan gives the entire city and the entire community an opportunity to have a voice at the table about what they would like to see in the cultural vision of the city. Good examples for Chicago are the London's Cultural Audit and the City of London Cultural Strategy 2010-2014 andWashington, D.C.'s, Creative Capital: The Creative DC Action Agenda. Doing an audit of what the city has to offer gives us an opportunity to really look at the vast resources that we have in Chicago, but it also gives us an opportunity to see what we're missing.
2. To move forward in developing this cultural plan, I believe that there needs to be a working committee established. This committee will need to evaluate and audit Chicago's cultural assets, while listening to local artists, community leaders and citizens about what they want. But we also need to consider Chicago's place in the global cultural community and create a strategy for our local economy through the arts and culture.
3. We will be in Year 3 of the city's new cultural plan. There will be equal access to arts education for every student in all Chicago schools. There will continue to be access to high-quality free or low-cost cultural programming for all Chicagoans. And Chicago creative industries are booming.

Lane Alexander
Chicago Human Rhythm Project, founder/director
Was a member of the art and culture committee for Emanuel's transition team
1.The (mayor's) transition plan calls for, in the first 100 days, identifying three cultural hubs or districts around which the city will invest. The arts are a part of a community and economic development program, so these are going to be in different parts of the city, not just downtown, and it should be interesting to see what is selected.
I know one of the things (Michelle Boone, cultural affairs and special events commissioner) is going to be looking at is to clarify the roles of overlapping agencies, like the Department of Cultural Affairs and Special Events and the Chicago Office of Tourism and Culture. It's not altogether clear to me where one ends and the other starts, so I think there is some overlap there that needs to be straightened out.
2. It goes back to the cultural districts. The work should have already started in having identified those three: Is it music? Is it theater? Is it dance? What neighborhoods? The advisory council will have been convened and met, at least once. These are all things that are already in the transition plan. Basically, we need to meet the benchmarks that were already set out.
3. Academia, for-profit and nonprofit organizations should collaborate more to educate a new generation, create new work. We have great educational institutions. We have great cultural institutions. We have great community-based organizations. Out of necessity we need to look for ways to work together.
Also, I think there's a real opportunity for Chicago organizations to take advantage of the dollar's weakness and go to Asia, South America,Europe (on tour). It's a great way to market Chicago.

Josephine LeeChicago Children's Choir, president/artistic director
Was a member of the art and culture committee for Emanuel's transition team
There is a generation of Chicago public school students that are not experiencing art. Having no arts during (school), they're missing out on the development of self-confidence, self-expression, cultural understanding, creative thinking and so much more of the intangible learning that comes from the arts that is essential to the development of the mind, heart and even body. So what I'd like to see is more arts learning incorporated into the school day.
2. You would measure success by the number of children that have a weekly arts learning experience, whether singing, playing musical instruments, painting, dancing or acting.
3. I'd like to see all CPS students provided minimally with a weekly arts learning experience as part of the school day. In the short term I believe this will have a profound impact on their overall achievement in all areas. And long term we will ensure that Chicago continues as a cultural leader in the U.S. and the world by developing the next generation of artists and, more importantly, the next generation of audiences.
I think in four years it would be great if everyone would recognize Chicago as the leader of creative arts. That would be tremendous. Because we have that potential. Everyone's doing their part.

Joe Shanahan
Owner of Metro, a North Side music club
1. I hope that we continue to have a forward-thinking axis when it comes to our arts and cultural communities. We are a big city with big ideas, and we have a locally rooted but global vision — for example, the Sonar Music Festival, from Spain, which the city's Department of Cultural Affairs helped to bring to Chicago. I hope we'll see more European, Asian, African, South American artists coming to Chicago to realize this locally instigated and collaboratively produced global vision.
2. There will be obvious spark and energy and some kind of innovation that we will all begin to see and feel. That's how you calibrate it. You will look around, and you will begin to see new ideas, not the same old partnerships — new partnerships, new emerging artists, new emerging musical collaborations.
3. I hope we can make it easier and less expensive for arts and culture small for-profit businesses to produce events in Chicago, and that means reforming the city's amusement tax. The arts, theater, music, dance and culture companies who are trying to work on the fundamental level of developing and emerging artists are trying to get those artists as much money as possible when they play in Chicago, but the amusement tax is a burden that makes this difficult, especially on small, for-profit businesses. While I know the city is strapped for dollars, the amusement tax is clearly harnessing musical development and hurting the city's ability to grow the artistic community.

Saturday, June 11, 2011

Howard A. Tullman

NOTES FOR OUR NEW MAYOR ON CHANGE MANAGEMENT


CHANGE MANAGEMENT

INTRODUCTION

As proud as we are of the way we've done many things in the past, the fact is that trying to do the same things in the future and expecting different and better results is just kidding ourselves. During this period of rapid change, we've got three primary challenges and one goal.

The internal challenges are fairly obvious:

1. How do we hang on to our good people?
2. How do we keep everyone's spirits up?
3. And finally, how do we get the results we need to maintain the confidence and support of our “customers”, business partners, lenders and workforce?

And the goal?

GET MORE DONE WITH FEWER
RESOURCES IN LESS TIME

These are the requirements for success today, and they apply to every business. Are they fair? It doesn't really matter because they're staring us in the face. Our job is to deliver the services and the results and protect the bottom line. Period. Change is tough and stressful. But it's during times like these that you can really grow and prove yourself. Setting the goal is easy. The rest is plain hard work. Our task is to manage the changes we're facing instead of simply reacting to them. That way we'll all be a lot happier with what we grow into.

GET YOURSELF INTO THE GAME
"Business as usual" is history. Your job has grown- it's more complex, and there are going to be more bases to cover. Plus, you'll find that the old routines and supervisory habits just won't work in this new environment. Not now. Not later. In some ways, experience is going to be your worst enemy and not a trusted guide to the future. Count on it. And you're never going to convince anyone to follow your lead if you're not convinced yourself that we can make a difference. So sit yourself down and decide right now where your own head is at. Then get on with it.

And here's a tip. Don't brace yourself for the changes. That's not going to work. What you want to do is loosen up and roll with the flow. You've got to be flexible and responsive in order to help everyone around you. When you're confronted with new circumstances or actions, take a deep breath and give them a chance. They might actually be improvements, and they might just work. One thing we know for sure is that the old ways of doing business won't work. So what've you got to lose?

DON'T GIVE AWAY YOUR POWER

In times of change, many managers become tentative. They grow more cautious and uncertain concerning their authority and decision-making latitude. As a result, they effectively give away their power to manage. They wait around for permission and crystal clear signals from above as to what they can or cannot do.

Forget it .Don't wait for anything and certainly not for specific permission to do your job. In any case, you're going to find that it's much easier to ask for forgiveness than for permission. If you wait, you're going to lose momentum. Give yourself permission. Attack your job with confidence and authority, and you'll discover that people get out of your way so that you can get on with the job. If you've got a tough question or decision to make, ask for help, but don't even think about sitting around and waiting for direction. This company is full of smart, hard-working and honest people whom we're all trusting with our futures. Let's help them get the job done.

THE TIME LOST IN NOT MAKING
A DECISION CAN NEVER BE RECOVERED. SOONER IS
BETTER - RIGHT NOW IS BEST.

KEEP YOUR OWN HEAD UP

Your own attitude will set the tone for your people. And, happily, your attitude is one of the few things that're totally under your own control. We need upbeat, positive and enthusiastic leaders. As you communicate this to your people, your job in supervising them will actually become a lot easier. They need to know exactly where you're coming from and, once they do; they can get on with the job. Change is aggravating, stressful, and confusing. Big deal. Anyone can steer the ship in a smooth sea. And anyone can be cheerful when things are rosy. The test for you is how you hang in there in the tough times. Now's the time to be a role model and a leader.

Don't pretend that everything's fine-it's not, and your people aren't stupid. Let them know what they can expect from you and from the company. Give it to them straight. They deserve to know. They can handle it, and you couldn't fool them for long anyway. If you level with them now, you'll actually protect your credibility for the long run.

EVEN IF WE’RE HANGING BY OUR
NAILS, WE'RE WEARING OUR
BEST CLOTHES

Remember that there are substantial opportunities for us in these times of change, and that's where a positive focus and emphasis on your part is essential. You're going to find that your people are actually primed for change right now, that they anticipate it, and that, as a result, they'll be able to adapt to it more readily than at other times.

GIVE YOUR PEOPLE CLEAR-CUT MARCHING ORDERS

You should outline your employees' basic duties and assignments as well as any specific tasks and your expectations concerning each task in as concrete a fashion as possible. Definite deadlines and timetables are very important because we'll be fighting every day against slippage on all fronts of the business - daily collections, new marketing initiatives, aggressive competitive bidding, and even new development efforts may all suffer because of the many distractions created by the ongoing changes.

Hands-on management at all company levels is critical to help refocus distracted employees on the immediate tasks before them. And by the way, the best direction is by example and not by talk. Rolling up your sleeves and being involved now is another important reinforcement of your own personal commitment. Talk is cheap.

PEOPLE LEARN MORE FROM
OBSERVATION THAN FROM
CONVERSATION


FOCUS ON IMMEDIATE GOALS AND OBJECTIVES

You can expect to have fewer resources than you used to have and, most likely, fewer people even though there's as much or more work to be done. To maximize their effectiveness, you must have clearly defined goals and objectives. Not only will this help you manage, it will help get your people's minds off the past and focused on the future.

But it's critical that the "future" be expressed in terms of an intense focus on short-term targets. Forget about long-term goal setting at this point. Not only does it require too much time and effort, but it necessarily involves more guesswork and uncertainty which is the last thing we need right now. Also, remember that your people will benefit greatly by seeing the short-term goals being achieved. This will pump everyone up, build confidence and restore important momentum to the whole company.

We want to concentrate for now on weekly and monthly performance targets. Once these have been established, we've still got to effectively communicate them to the people who will be responsible for their achievement. This means internal P.R. and plenty of feedback. And, here again, your actions are going to speak a lot louder than anyone's words. Careful tracking, continual feedback (plus or minus) and regular reporting on our progress toward these goals will be essential to achieving them.

DON'T TRY TO GET TO
HEAVEN IN ONE NIGHT

You should expect some glitches along the way. It's critical to pay very close attention right now and to carefully monitor how everyone's doing so that you can nip any problems in the bud. Frequent progress reports with specific follow-up will be especially helpful to make certain that everyone is on the right track.

It's too easy in times of change to let schedules slide, things slip through the cracks, and to make silly mistakes. It's very much a matter of maintaining focus and concentration in the midst of continual distractions. You must make sure that your employees are listening to what you have to say, hearing all of the messages you're delivering to them, and quickly and effectively implementing the changes.


ESTABLISH CLEAR PRIORITIES

You can assume that your priorities will change far more frequently in the future. Integrating these shifts effectively into your group's workload is your challenge.

People and problems will be continually fighting for your time. The loudest should not automatically get the most of your attention. It's very easy to fall into a fire- fighting mode and get sidetracked on low priority issues which take a lot of time and energy with a very small payoff. Don't do it.

You can help your employees avoid the same problem by keeping your own priorities clear in their minds when you delegate work to them. Don't let them assume that the last assignment is the most important to you unless it is. Make sure that you're aware of everything on their plates when you ask them to take on a new task.

Finally, remember that you simply won't have enough time to do everything that comes along. You need to make sure that you handle those things that count the most. It's all about focus.

YOU CAN DO ANYTHING
THAT YOU WANT, BUT YOU
CAN'T DO EVERYTHING


NAIL DOWN EACH PERSON'S JOB

Everybody's job will be changing in some ways, and you shouldn't assume that anyone knows exactly where to direct their efforts. Even if they don't ask, and even if they appear to be moving confidently ahead in what looks like the right direction, check it out!

Speak to each person to clearly redefine their job responsibilities. Be specific and focus on decision making authority, personal accountability and reporting requirements. Do this for old timers as well as newcomers. Don't assume that the incumbents are any clearer on the facts than the newest players. These are confusing times for everyone.

Also make sure that your employees have a precise understanding of the standards of performance that they'll be expected to achieve. Identify with them the few "make or break” aspects of their jobs so that they can properly direct their attention. Put these critical items in writing in a memo which you both retain. Also, make sure that the minute you see any significant performance shortfalls, you meet with the person in order to get him or her back on the right track.

WRITE IT DOWN. THE FAINTEST
INK IS CLEARER THAN THE
SHARPEST MEMORY

GET THE RESISTANCE OUT IN THE OPEN

Some people will never "get it." And certain employees will actively resist the changes we need to make. What's important here is to handle the resistance by actually inviting it. Get it out in the open so that you can analyze it and work to overcome it.

Sometimes you can reduce or overcome resistance by giving the concerned employees a clear understanding of the rationale behind the changes. If they understand what the alternatives were, what tradeoffs were made and the relative costs to the company, they can more easily buy into the situation.

If the resistance you encounter is severe and wide- spread in a given area, you're obliged to ask yourself if it's you that may be the problem. Maybe you need to change your approach. Maybe you haven't sold the employees on your own commitment. Or maybe you need another opinion from other managers who should be told that the proposed changes in your area aren't being implemented or are not working.

RAISE THE BAR

If you expect less of your people now, that's exactly what you'll get. This is the time to ask for more from each member of your team. Make them stretch. Up the ante. Push them to new heights.

GOOD MANAGERS CHALLENGE
THEIR PEOPLE, POOR ONES
COMFORT THEM

Why? Well, first, because there's simply more now that needs to be done. But second, and equally important, during times like these, all of the employees will have done some soul-searching of their own and probably asked themselves just how good a job they were doing.

IF I ACCEPT YOU AS YOU ARE, I
WILL MAKE YOU WORSE. IF I
TREAT YOU AS WHO YOU ARE
CAPABLE OF BECOMING, I HELP
YOU BECOME THAT PERSON

They may be examining their own attitudes, evaluating their careers and considering their own changes in their work habits. This is a great opportunity to work with them to develop ways that they can try harder and work smarter to get more done in the course of every day. And it's actually better for their mental health and for the company morale for them to be extremely busy without time to be daydreaming about the company's romantic past or worrying about the future.

You want to establish performance standards and objectives that are challenging but not unrealistic. You want to create successes for them which will require improvements, but which will be achievable so as to avoid creating goals that are nothing more than exercises in frustration and failure. And you want to track their progress from day to day.

PEOPLE DO WHAT YOU INSPECT
(AND PRAISE) AND NOT
WHAT YOU EXPECT

In times of change, what gets measured and monitored is what gets done.

ENCOURAGE RISK-TAKING AND INDIVIDUAL INITIATIVE

Rapid changes can paralyze anyone. People feel insecure and uncertain, and you can expect that they'll be less willing to make decisions or to take risks. You'll see some people lose their nerve entirely.

This is the greatest single exposure to the company today. Employees will tend to move into holding patterns. They'll play it safe and assume that sins of omission are safer than sins of commission where you actually try to get something done. Some will be more willing to risk doing nothing rather than risk doing something wrong. Others will be hesitant to take on new work roles or assignments if they're uncertain regarding their own ability to be successful in making the necessary changes. Sometimes the issue will be that there's no clear performance definition of what will constitute success.

In any event, your job is clear. You've got to get the message out loud and clear that we're tolerant of mistakes, but we will not accept inertia. No one expects perfection in these times, but we need to be moving, and our people need to be independent thinking, decisive and action-oriented. We prefer the inevitable errors of enthusiasm to the wisdom of complacency because we can't afford to wait for perfect answers or solutions.

EVEN IF WE'RE ON THE RIGHT ROAD, WE'LL STILL GET RUN OVER
IF WE JUST STAND THERE

DON'T TRY TO BE SUPERMAN

Try as hard as you might, you'll still be unable to cover all the bases yourself. So don't waste your time and energy trying. You've got to concentrate on effective delegation during this period for two main reasons:

First, it will keep you from spreading yourself too thin and becoming too scattered. Second, good delegation gives your employees a sense of involvement which positions them to share in the responsibility for the changes which must be made.

Hands-on management doesn't mean personally policing everything in the place even if you could or micro-managing all activities. This simply will not work. Your good people will become more frustrated and lose some of their initiative, and you'll find yourself overcommitted
and less effective.

When you delegate, your employees will feel a little more in control of their circumstances and even the surrounding events. This gives them an important sense of participation and helps them feel that they have more choices and influence on the ultimate decisions which the company is making. As a result, they will feel better about the decisions which are made, and they'll show more commitment in carrying out those directives.

PROTECT YOUR PIONEERS

We need to create an environment where our employees feel "safe" in taking risks and experimenting with new ways of doing things. If they feel threatened, insecure or vulnerable, they'll be inhibited and reluctant to go out on a limb. As they become more cautious and tentative, the sad fact is that they become more likely to fail.

We need to concentrate on "shaping and directing" our people's behavior instead of "grading" it for now. We'll have plenty of time later for detailed performance evaluations. Right now, we want to be coaches and not judges or umpires. And we need to quickly start supporting our people as they begin to move in the right directions-we can't afford to wait until they get it perfectly correct.

A GOOD PLAN VIOLENTLY
EXECUTED RIGHT NOW IS A
LOT BETTER THAN A PERFECT
PLAN EXECUTED NEXT MONTH

We need to make it very easy to ask questions without having anyone feel that they're being judged by us or by their peers. We don't want anyone feeling stupid or incompetent-if we were so smart; we wouldn't be in the fix we're in right now. Your people will get an idea very quickly of your attitude toward these issues and how you regard them. We want to "catch people doing something right" so that we can encourage and support them. When they make mistakes, we want to be instructive and supportive rather than critical.

And we want to make room for all of the different types of people that we're going to need if we're going to succeed as a company. Not everyone who makes an important contribution is going to be someone you would like as a new best friend. And not everyone is going to look like us or precisely match our historical view of the typical company employee. Make sure that you make them welcome nonetheless because they're going to be a big part of our future.

PROVIDE "PSYCHOLOGICAL" PAYCHECKS

When you can't afford to provide tangible rewards and benefits to your employees, it becomes even more important to pass out "psychological paychecks" whenever possible. These cost the company nothing, take very little of your time, and still provide excellent "compensation" for the troops. Recognition is as important as dollars and cents to most professionals, and your efforts to acknowledge extra work will pay off.

Don't be so cynical or "mature" as to underestimate the value that employees place on simple words of encouragement, compliments for small things, listening sympathetically, and asking for their opinions on matters which concern them. Express your appreciation early and often for quality work, meeting deadlines, taking the initiative and getting results.

SILENT GRATITUDE ISN'T OF
MUCH USE TO ANYONE

To boost morale, we need to have our people feel valued and have a clear sense of belonging and ownership. We need them to succeed, and we need to give meaning to their day-to-day efforts to move us forward. If you find people just going through the motions, you've got to get involved and either turn their attitude around or take them out of the process because we can't afford half-hearted efforts. We need everyone's complete commitment in words, in deeds and in their hearts.

COMMITMENT, NOT AUTHORITY,
PRODUCES RESULTS

COMMUNICATE CONSTANTLY

It's easy to lose touch with our people when things are in a state of flux. Our normal communication channels may not be effective during these times. If anything, we need to over-communicate to be certain that our message gets through.

And, of course, our employees will be hungrier than ever for answers and information to offset the workings of the rumor mill which will undoubtedly be in high gear. This means that our communications need to be specific and candid and, above all, timely even if all we're saying is that there's nothing new to report at the moment. The most important way that we can address the communication imperative is by remembering that it's a two-way street.

We need to be sure that management is regularly available and accessible so that the employees have a chance to communicate to us. We want to create opportunities for employee input, be extra-patient listeners, collect employee opinions and suggestions and generally increase our visibility by circulating throughout the company. We can't have a bunker mentality or cut ourselves off from the rest of the team.

LOOK FOR THE BAD NEWS NOW

Part of your job is to find and face up to the problems and aggravations which will routinely occur as part of the change process. This will be an ongoing situation especially because the solutions to certain problems will, in some cases, create other new problems. So expect trouble -that's just the way it is, and you'd be kidding yourself if you thought otherwise. The problems will be there - somewhere-and you need to know precisely what you're up against. You won't be able to create solutions or provide leadership if you're among the last to know.

So get in the habit of inviting bad news. Make it easy for people to tell you those things that you don't necessarily want to hear. You can't come to grips with problems if you pretend that they don't exist. Make it clear that the truth is welcome at all times and that the messenger will not be punished for delivering the bad news. The truth only hurts when you don't tell it. Reward people who report on difficulties and breakdowns in the change process. Make it everyone's job to "watch the store" and not just to pay attention to their little area.

If your people say that there's a problem, take it seriously and react to it immediately. They can see things that you can't, and they can see things that you're doing in a different light. In addition, they may have a much better perspective on various matters than you do. At the very least, their opinion is important to them and worth some of your time to listen even if your hands are already full.

TAKE CARE OF THE "ME" ISSUES IN A HURRY

In times of rapid company change, self-preservation takes precedence over just about everything else. There are heavy duty questions in every employee's mind and until these concerns are resolved, employees are often too preoccupied with their own situations to focus effectively on their work. It is critical to get closure on these issues as soon as possible, but it's not as easy as it seems because, in many cases, the determinations which impact the employees cannot be made overnight.

There are three things that can be done to help deal with the situation:

First, move immediately to re-recruit your best people. Don't take them for granted. Treat them just as you would new prospective hires by making them feel important and wanted, indicating to them that their positions are not in jeopardy, and asking them to assist you in the process of implementing the changes coming down the line. Their input and suggestions will be extremely valuable along with their own buy-in. Confident, aggressive people will not only work with you once the invitation to do so has been extended, they will readily understand that the changes present expanded opportunities for them, a chance for the organization to clean house and slim down in many areas, and a brighter overall future. That's the message you need to get through to your key players as soon as possible.

A SHARED GOAL IS AN
INCREDIBLE SOURCE OF POWER

Second, do everything that you can to reduce job stress during this period. Minimize surprises as much as possible. Give people advance warning about what to expect and what's coming instead of springing things on them. This will help them prepare mentally for new developments as well as requests for actions which they might not have anticipated. And, if possible, try to have a sense of humor about the situation when it's even remotely appropriate. You'd be amazed at how much it can help relieve some of the tension. While we need to take our tasks seriously at all times, it never hurts to remember not to take ourselves too seriously.

Finally, don't take it personally. Employees in stressful situations will resist help, blame their bosses, and even behave in self-destructive ways for a period of time while they "recover" from the changes. You will need to help them manage a whole host of emotions and feelings-anxiety, distrust, self-pity, frustration, bitterness, anger, depression and even guilt. You've got to be tolerant of these displays and even understanding when the hostility is directed at you. Most often, you're not really going to be the target, but you're guaranteed to be within range. Just live with it and be sure that you don't make it worse. Let people vent and express these feelings to you so that they can get over them and get on with their lives. If they keep all these feelings inside, they'll never "heal." Just remember not to bother arguing, getting upset, or discounting their feelings. However valid they may be, their feelings are certainly there and condemning them or disallowing them serves no useful purpose.

BE A TEAM PLAYER ALL THE WAY

We all need each other's help. You can help in four specific ways:

First, make sure that your group's efforts are consistently in line with our overall priorities and adjust them rapidly as things change.

Second, give us a break. If it looks like we're making mistakes, remember that we may know what we're doing, we may have other data that you don't have, or it may just be the best decision we can make under the circumstances. Give us the benefit of the doubt and the benefit of your input.

Third, open your mouth. It takes guts to report problems to senior management, but in many cases you'll be the only one who knows the facts, and you've got to be strong enough to step up, state your views and be prepared to defend them for the good of the whole company.

Finally, be big enough to ask for help before you're drowning. Don't be too proud or too afraid to let the team know that you're having trouble. We really are all in this together, and if you edit or "clean up" the reports from the field or from your own group so that they become "safe" or "acceptable," you're leading us all down the road to disaster. Tell the truth. All the truth. All the time.

Monday, June 06, 2011

Karan Goel's PrepMe not your usual teen dream




Karan Goel's PrepMe not your usual teen dream


Karan Goel's PrepMe claims to be the biggest test-preparation company online.
Photo by: Erik Unger
An indifferent high-school student, Karan Goel was a phenomenal test-taker. A friend offered Mr. Goel $100 to help him prepare for the SAT, a fortune for a teenager who worked retail on weekends. Mr. Goel figured out his friend's weaknesses and then tutored him. Higher scores got his friend into the college of his choice. At age 17, the entrepreneur in Mr. Goel was born.
It would take five years and a boatload of brains, however, to build Chicago-based PrepMe into a real business. When he began his online service in 2001, no one was offering test assistance on the Internet. For good reason, he says wryly. “The software is really complex,” says Mr. Goel, a self- described “gigantic geek.” “I was completely naive.”
Today, PrepMe claims its do-it-yourself instruction and tutors have helped 70,000 students from every U.S. state and 30 countries, making it the biggest online test-prep outfit. (Princeton Review Inc. of Scranton, Pa., and Washington Post Co.'s Kaplan unit are bigger overall thanks to their classroom and one-to-one, in-person training.)
“Our mission has always been to reach the students who don't live in a big city or college town, who need this knowledge but can't get it face to face,” says Mr. Goel, 27. “We help them connect.”
Now he's opening PrepMe's platform to textbook publishers, professors, standardized- test makers and others who want to create personalized online courses. The product is called Coursification. Using PrepMe's adaptive learning technology, students receive instruction over the web, while teachers, administrators and publishers receive real-time test data, enabling them to aid students as they move along or to adjust the coursework. Barron's Educational Series Inc. was the first to sign up.
“That's a great example of having an innovative mindset,” says Thomas Kuczmarski, president of Kuczmarski & Associates Inc., a Chicago innovation consultancy, and a lecturer at Northwestern University's Kellogg School of Management. “Sadly, most companies stop with their first great product.”
PrepMe, which charges $299 to $499 for four months of assistance with SATs, ACTs or PSATs, says that from a small base, revenue surged 150% last year. (Mr. Goel declines to give figures but says the company is profitable.) On average, he says, scores rise 305 points on the SAT and five points on the ACT.


' I was completely naive,' Mr. Goel says.
The only child of physicians, Mr. Goel was born in New Delhi. The family lived for a time in England before settling first in Columbia, Mo., and then Cincinnati. He's been in Chicago for 10 years, the longest he's lived anywhere. Mr. Goel earned an economics degree from the University of Chicago in three years, graduating from the Booth School of Business at age 22.
A newlywed, he walks to his Streeterville office, a functional space decorated with school banners. He works 16-hour days, starting at home over breakfast and continuing after dinner with his wife. Most of Saturday and a few hours Sunday are devoted to work, too.
Sound like a grind? Colleagues say otherwise. Mr. Goel is affable, boyish and easy- going. He credits his parents for his low-key, steely resolve. After disappointing them with a first-year GPA of 3.7, he returned home the second year with a 4.0 average. Were there hoots and hollers? A celebratory dinner? Nope. His father simply shook his hand.
© 2011 by Crain Communications Inc.

Sunday, June 05, 2011

TRIBECA FLASHPOINT ACADEMY CEO HOWARD A. TULLMAN's GRADUATION ADVICE FEATURED IN CRAIN'S BLOG BY SHIA KAPOS

Top executives and notable political names are offering words of wisdom to high school and college graduates this spring.


Howard Tullman, the Tribeca Flashpoint Academy CEO, stands out for his straight-shooter style. He offered three simple bits of advice to graduates of Tribeca Flashpoint's Media Arts Academy last month.


1. Don't mistake a clear view for short distance. It's great to know exactly what you want (of course, that will change a million times in your career), and it's great to strive aggressively every day toward that goal, but it's equally important to understand that good things don't happen overnight. Try, fail, pick yourself up, try again.


2. Focus is everything. You can do anything you want, but you can't do everything. Saying "no" is much harder than saying "yes." Saying "yes" is a very popular thing to do, but good management and strong leadership isn't a popularity contest.


3. You get what you work for, not what you wish for.


Others on the commencement speech circuit include:


    Connie Lindsey, head of corporate responsibility at Northern Trust, spoke Thursday night at the graduation ceremony for Link Unlimited, a program that has business executives mentoring economically disadvantaged black students.

Steve Casey, founder and board president of Fresh Moves, a mobile produce market in underprivileged neighborhoods, will deliver the Kendall College commencement address June 25 to 600 students in the School of Business, Culinary Arts, Education and Hospitality Management.

Gov. Pat Quinn gave the keynote address at City College of Chicago's graduation ceremony.

Cook County State's Attorney Anita Alvarezspoke for IIT Chicago-Kent College of Law's graduation last month. She is a 1986 graduate of the school.

Terry Mazany, the Chicago Community Trust CEO who served as temporary Chicago Public Schools CEO, joined University of Illinois board Chairman Christopher Kennedy to speak at the U of I commencement ceremony.

U.S. Secretary of Transportation Ray LaHood gave the keynote address during Bradley University's commencement.

Sen. Mark Kirk, R-Ill, was keynote speaker at Augustana College's convocation.

NEW ART FOR THE TULLMAN COLLECTION - "CHRISTINE AT MILLE FLEURS 2" BY VICTORIA SELBACH

Saturday, June 04, 2011

THE TRIBECA FLASHPOINT ACADEMY STYLE - PART TWO

Introduction

At TRIBECA FLASHPOINT ACADEMY things move so rapidly that it's sometimes wise to take a little time to reflect and re-focus our energies so that we all clearly understand why we're here, what we're trying to accomplish and what we expect (reasonably or unreasonably) from the process. Each of you has read "The TRIBECA FLASHPOINT ACADEMY Style" by now, and I believe that it's as fair and accurate a representation of what life around here is going to be as there can be. Nonetheless, some of the ideas and concepts covered had to be broadly expressed and may not be easy for everyone to apply directly to their day-to-day experience.

In this memo, I've tried to narrow the focus and deal as closely as possible with the most elusive concept of all -- what makes the leaders at TRIBECA FLASHPOINT ACADEMY tick? What drives people around here to expend such exceptional amounts of energy and to make such real sacrifices of their time and personal lives on an ongoing basis? Why does it seem to be so obvious to many of our best people that we just never compromise and that it's our obligation to push as hard and move ahead as quickly as we can each and every day?

Maybe it's that we all believe that our uncompromising performance will continue to lead to more of the successes we've had so far. One thing is clear -- no one here does it for the money. We couldn't buy -- even if we tried -- the loyalty, commitment and results that our key players demonstrate every day. So what's the goal or objective which creates so many "peak performers" at TRIBECA FLASHPOINT ACADEMY?'

As you'll see in reading on, the shortest answer seems to be that -- in the end -- each of us is doing it for ourselves. It's our own confidence, self-respect and futures on the line as well as our image of the kind of people we want to work with and to be.

Five years from now, the most important issue won't be what you've done; it'll be what you've become. As the expression goes:

WORK HARD, STICK TOGETHER,
IMPROVE EVERY DAY AND ALWAYS
ASK THE QUESTION:
HOW BADLY DO I WANT IT?

That's not always an easy question to answer. And, for some of you, it's a question that comes up on a regular basis. But the leaders at TRIBECA FLASHPOINT ACADEMY no longer even ask -- they know the answer because they live it all day long -- every single day: we want it very badly and we want it now. Here's some questions which should help each of you decide on your own answer as well as whether you've got the drive and desire to excel at TRIBECA FLASHPOINT ACADEMY.



Key Questions and Concerns

Do I really want to excel and to assume all of the burdens and responsibilities which come with being a leader?

  1. Do I have enough self-discipline and desire? These qualities, far more than material motivations, will keep you moving when the going gets tough.



  1. Can I make the personal investment and the necessary sacrifices of time, friends and family?



  1. Can I accept the loneliness? Is acceptance by my peers and co-workers more important to me than doing my job right?



  1. Can I handle the uncertainty, ambiguity and risks of advancement -- what if I fail? (P.S. At TRIBECA FLASHPOINT ACADEMY, it's no sin to try and fail -- the sin is in not trying.)

Am I willing to invest, endure and sacrifice without any assurance that all my efforts and energy will be recognized and rewarded?

  1. Getting the job done (whatever it is) will require enormous amounts of energy, time, effort and commitment. The only answer to what you're willing to invest is -- whatever it takes.



  1. Endurance helps convert whatever obstacles and difficulties life puts in our path into opportunities and sometimes even triumphs. We don't complain, we don't sulk -- we pick ourselves up off the floor, wipe ourselves off, and start all over again. How much can we endure? Whatever we must endure to get the job done and done right.



  1. Try as we might, sometimes things don't work out as we planned - life isn't always fair, and plenty of people work hard all their lives for very little. We at TRIBECA FLASHPOINT ACADEMY have been very lucky so far, but there are no promises or guarantees. So, as we give things up, make sacrifices, and assume new responsibilities, we don't even get to ask -- much less answer -- the toughest question of all -- how long will it take? In many businesses and many careers, if the founders had known how long or how hard the journey was going to be -- they would never have started. So here again the questions are the same  -- what we're doing, how we're doing it and why – and the answers are simple: we're doing it because it's the right thing to do and the right way to do it. If our actions ever come to depend on what others think of them, we'll have lost our way.



  1. A word of encouragement -- we don't miss many good people, so don't worry about being overlooked or lost in the shuffle of growth. Advancement at TRIBECA FLASHPOINT ACADEMY is based mostly on results (results now -- not in the future) and only partially on potential. Let us be the judge of your potential and spend your time and energy keeping your eye on the ball so you don't accidentally get hit in the face on your way to the future.



  1. For five years, as a young lawyer, I started each day with a little promise to myself. It went something like this: "One day soon, I'll be a leader. Until then, I'll be the best follower around." Sometimes it isn't easy -- sometimes there seem to be better ways to do things -- easier paths to the same end, etc., but the discipline you develop by learning how to execute the fundamentals will aid your concentration, enable you to better focus your efforts, and provide a solid base of experience for your future growth. Don't sell it short and don't try to speed up the process -- you only end up cheating yourself. Remember that a person who chases too many rabbits usually ends up with none.



Maximizing Performance



TRIBECA FLASHPOINT ACADEMY’s success depends on receiving extra special performance from exceptional people. Not necessarily exceptional in their education, their work background or even their technical skill, but exceptional in a far more important way -- they bring meaning and the ability to grow to any job they were asked to perform. They make their work exciting, challenging, stimulating even when it isn't, because they have learned to test and measure themselves and their own performance against their personal best (not some outside standard) and, not surprisingly, the best ones become their own toughest bosses and critics. If anyone thinks our success will come from being tough on our people or our students, they're nuts. It will come from people being tough on themselves and proud of it. We don't compete with each other, and we're really already past the point of proving ourselves to outsiders -- our standards and our goals are internal -- we take on these jobs knowing they aren't easy, and we'll stand or fall on our performance. To finally become a true part of TRIBECA FLASHPOINT ACADEMY, each of you needs to conclude that there's enough meaning and value to your work (whatever it is) to make it worth the commitment and effort required to do it in a first class fashion.

At TRIBECA FLASHPOINT ACADEMY we believe that every single job is important and must be important to the people doing it. Most companies manage by their rules, procedures and structures to deprive their people of the ability to contribute and to make their jobs matter. At TRIBECA FLASHPOINT ACADEMY, we try to stay out of the way since we believe that "peak performers" aren't people with something added; rather they're people with very little of their potential taken away. They are people who find their principal motivation within themselves and who are driven by an unstoppable belief in their own worth and potential. They are self-developers whose goals are to grow to the highest levels possible -- both in their achievements at work and in the development of their human faculties.

Critical Traits and Beliefs

Look at our leaders and a few simple traits and beliefs emerge. Measure yourself against these standards, and you'll never go wrong.

  1. We have a mission, we truly care about it, and we are devoted to it. We are single-minded and have an unassailable belief in the likelihood of our success. We have no preconceived limitations. We do more than expected, never less.



  1. We focus our energies wholeheartedly on the job. Anything that moves us away from our objectives is discarded. People who get things done are not people who never lose their way -- they're people who know how to quickly find it again. Failing to plan and stick to the plan is the same as planning to fail.



  1. We react in exactly the same way to success and failure -- we absorb the experience and apply the lessons we've learned to the next task in our continuing journey. Setbacks are information; mistakes are signs that it's time to correct our course. Changes are opportunities to be exploited and capitalized upon. We never coast -- if we're not steadily improving, we're getting worse.



  1. We excel, not despite changes, but because of them -- we anticipate difficulties and seize opportunities -- we adapt and keep growing. We understand that there's never a right time to do a difficult thing and that people won't make any change that involves a sacrifice if they think they can avoid it. Our job is to educate them to the benefits of change and to lead them to improve themselves. We can sell it because we believe it ourselves.



  1. We never give in to a competitor or a situation just because it initially looks impervious to our attempts to affect it. If we can make the first dent, the rest of the team and those who follow us will get the job done. When we're truly stuck, we draw on those times in the past when it looked just as bleak and remember that we just put our heads down and plowed straight ahead and somehow got through it together, and we always will.



PERFORMANCE APPRAISAL

While there's almost unanimous agreement about the real success stories in any business, we hear about what it takes so often that we sometimes take it for granted. It's easy to lose sight of how important each person's performance truly is to making a great company -- but it never goes out of fashion. And it will always be the rule at TRIBECA FLASHPOINT ACADEMY -- we love the eager beavers and the tigers. They're the ones who try to do more than they're expected to. They're always reaching. And reaching out to the people they work with; trying to help them do their jobs better. That's just the way they're built -- they don't know how to do things half-way. They attack their jobs with both zeal and impatience. They hate shoddy work and mediocre people. Sometimes they challenge or break the rules -- that comes with the territory. You can always apologize, but you can never regain a lost opportunity once you've let it pass. Most of all, they get things done -- they're driven by their own goals and objectives -- no one needs to hold their hands.

What do the best of them all have in common? Here again, you've heard it before, but this time take it to heart and ask yourself how you stack up. Be honest with yourself -- things can always get better.

  1. THEY LEARN ALL THE TIME. They're not too proud to take notes or ask questions. They're not so stupid that they think they'll remember everything or that someone will waste the time to repeat it for them when it really counts.



  1. THEY'RE-PROACTIVE, NOT REACTIVE. They're driving toward the goals -- making things happen -- setting the agenda and controlling the situation whenever and wherever possible. They're in a hurry. They are ahead of the problems. No one waits for the other shoe to fall or the shit to hit the fan. When you're all fired up, you're that much harder to extinguish.



  1. THEY LISTEN CAREFULLY AND THEY PAY ATTENTION. They make the time, even when they don't have it -- and they believe in the power of having friends in low places. Our students, our partners, and everyone else follows the basic rule: they don't care how much you know until they know how much you care. At TRIBECA FLASHPOINT ACADEMY, we care. We are continually building relationships which will assure our success.



  1. THEY IMPROVE CONSTANTLY. Sometimes an inch at a time. Sometimes bit by bit. But no detail is too small -- no fix is insignificant -- every little bit helps improve the overall picture. Tiny pushes, not mighty shoves. We can't wait for miracles; we prefer the back-breaking grind of getting a little better every single day. We're never satisfied.



  1. THEY'RE PROUD OF THE TEAM'S SUCCESSES. No one spends much time taking individual credit, but you'll never see prouder faces any place when someone wins a creative award, or someone else announces that we’ve completed another successful project, film or game, or TRIBECA FLASHPOINT ACADEMY reaches another milestone because everyone pitched in and worked their butts off to get there. When people ask us what we do to make things run so well, the answer's very simple. We do our best -- what else would anyone expect?



  1. THEY HATE EVERY SETBACK, MISTAKE OR FAILURE. Yes, it's very personal. It's agony -- it's an insult and it makes the good times go away in a flash. We can't afford it -- we can't permit it -- we'll never accept it. No one should who believes as strongly as we do about TRIBECA FLASHPOINT ACADEMY. Everyone's work is a reflection on all of us at TRIBECA FLASHPOINT ACADEMY -- we are each other's business.



  1. THEY'RE FULLY FOCUSED AND CONCENTRATE ON THE GOALS. Is what I'm doing or about to do getting us closer to where we need to be. Are we paying complete and total attention to our priorities? Eyes always on the ball. Obsessed because the little things make all the difference between success and failure. We didn't come to play -- it doesn't pay. We came to win -- that's all there is.

We're looking for the stand-outs, the exceptional performers, the obvious leaders -- they'll be rewarded. We've all come too far already to accept anything less than the best.



So a final word to the wise: if you want to be in the fast lane, be prepared to run like hell.


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